Ray Sell received his Bachelor of Fine Arts in Illustration from the School of Visual Arts in New York. Working
Through my large scale oil paintings, I wish to reconcile my nostalgia for the industrial era with the unforeseen challenges
In my current series of works on paper, ‘an emptiness’, I draw structural inspiration from an 18th century house on Cape Cod. This house exists on the receiving end of a time warp through the original floors, walls and windows, enveloping modern times in a moment of antiquity. Looking through the wavy antique windows one can ponder the eyes of the past and the distorted world they saw beyond.
I have been photographing New York’s bridges since 1993. The precision half of my photographic work is my German side
"Color Rambles" by Abel Macias are small paintings which use colors to refer to personal memories.
My work is landscape as imagined in my studio, suggesting memory and time. The movement of paint from translucent abstraction to textured plant-like shapes wanders into subjects of our relationship with landscape.
Karin Batten
Artist Statement
Each of my paintings tell a story, a continuous life long poem. The paintings explore the depth of my feelings. Painting is intuitive, I improvise and play on canvas creating abstract forms. Collage materials follow suit until I am guided by the work itself, bringing the paintings to life. My [...]
Jay Miriam and Zev have been collaborating since 2008.
Our work explores the relationship between new class identities and life as performance.
With influences as diverse as Kierkegaard and John Lennon, new tensions are crafted from both mundane and transcendent discourse.
Ever since we were postgraduates we have been fascinated by the unrelenting divergence [...]
These collages are comprised of acrylic paint on paper and archival digital photographs that depict the natural environment of the remote northern coast of California where I grew up, as well as industrial cities where I’ve lived, Oakland, CA and Brooklyn, NY. I make painted surfaces using brushes, my fingers, and by pouring and shifting [...]