Good Morning Universe, 8×9.5″, 2009

Brave New World, 8×9″ 2008

Broken World, 8×9″, 2008

Stream, 10×10″, 2008

Artist Statement

I am drawn to everyday objects that are often overlooked or discarded. Using a wide range of disciplines, I transform the materials into small works. With a modern primitive style I balance the positive and negative space that gives a piece a sense of beauty. Taking an unorthodox approach I embellish the surface of my work with steel nails and apply tiny circles to explore nature and its relationship with the synthetic.

Website

http://www.steveriley.artlogsites.com/

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“Bear Lithia,” 2009, oil, iridescence, and gold leaf on linen, 48″x72″

“Passing,” 2009, oil on linen, 46″x74″

“Five Miles Out,” 2009, oil and gold leaf on canvas over panel, 20″x36″

Artist Statement

When I moved to Brooklyn from Virginia I started making these dark landscape paintings lit in strange ways.  When I started the paintings usually they were of something burning.  Now there is often something backlit, or overwhelmed by light.  And there is more and more texture.  The paintings make light from texture.  There is something in memory that is like this light.  Brooklyn, with its dark heart, and my memory of the south provide the shadows.

I tend to paint many different paintings on a canvas or panel before finding the final image.  Some layers are figurative; some are more abstract or obscured.  Eventually the layers add up and I start to see their sum.  Maybe there is a drawing that lives just in the texture of the surface.  Two of the images might become present at once, or are trade places as the light in the room changes.  These unexpected shifts open the painting up.  If the painting surprises me, it has the potential to surprise the viewer.  It is this potential that I use to decide when a painting is finished.

As the grandson of an Amish deacon and farmer, my personal experience as a contemporary painter living in New York has its own set of layers.  With their blinding light and yearning for the soil, the strata of these paintings are a personal metaphor for the spirituality that underlies my urban experience.  The result is necessarily a bit enigmatic.  What remains unresolved allows an open space for each viewer’s individual interpretation.

Website

http://sloweye.net/

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“Tattoo”     50″ x 52 “    oil on linen

“Bluejay, Flicker and Guardian”     16″ x 20 “    oil on linen

“Ivy”     60″ x 72 “    oil on linen    2007

“Overlook”     28″ x 48 “    oil on linen

Artist Statement
I have always been awed and inspired by the mystery and amorality of nature. My paintings deal with carefully selected subjects from my observations, visions, and experiences with the natural world. In the most recent decade, creatures living and dead, have entered into my images. Birds, butterflies, insects, and mammals have become part of the scenes that haunt my thoughts. I investigate the kinship between my envisioned nature and it’s inhabitants and their physical and spiritual machinations and intrigues. I see the natural world filled with both unconscious and symbolic rituals and phenomena. My paintings are meant to give insight into this often unseen world. Creatures become a liaison between our natural world and our human world and imply a kinship to human experience.

Website
http://www.HollySears.com

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