
First Snow

Thanksgiving

Mornings

Green

Fontenelle
Artist Statement
I have spent several years drawing trees from observation; studying how their branches twist and turn, reach and retreat, linger… My new paintings are of trees painted from my imagination. A line becomes a branch, then a line again; it spurts, stops, twists, then breaks. The limbs are sometimes graceful; other times they are awkward, coarse, entangled gestures. Tension exists in reading the marks as both nature-based and pure abstraction.
The trees are painted in oil on translucent vellum stretched over mirror creating a subtle luminous quality and 3-dimensional effect. I try to capture the sublime quality of the Hudson River Luminists as well as the sense of limitless space in twelfth century Chinese Southern Sung landscapes. Within my paintings there are no cultural references; I aim to reflect the timelessness of nature in a fleeting moment.
Website
http://www.MaggieTobin.com
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Tags: Uncategorized

August Morning

What Light Will Do

The Yellow Steps

Stunned By What She Saw

Filibuster Baby
Artist Statement
My motto is be humble and stay busy, so I’m always working on either my poetry or art. I go to my studio every day. Going every day means I’m always a little bit ready. And I do something creative every day. I think of myself as a maker, stopping and starting within a constant stream of activity.
When I’m working on a painting, I never look at what’s come before, so that I can start each piece fresh. This allows me to sometimes make great mental leaps, to change my thinking in surprising ways.
My work serves as a kind of journal, a reminder of how I was thinking at a particular stage of my life. For that reason, I seldom change pieces once I decide that they are done. Through my series of brownstone and doll paintings I explore what light does to color, and our often hidden emotional landscapes.
Website
http://www.joannemcfarland.com/
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Tags: Painting




Artist Statement
I work exclusively with landscape in my oil on canvas paintings, using that theme as a platform to explore new ways of representing space and form. I am also interested in using psychological content and color to investigate the impact of nature, and natural space on the mind. Individual works describe scenes that are sometimes bright, lush and flowering, or sometimes dissonant, murky and foreboding. Tree branches twist and writhe, color turns acidic, and sky flattens to meet form and then deepens back into space again. A shifting psychological mood pervades the group as a whole, moving between realms of sparkling beauty, anxiety, and the sinister and mysterious.
Website
http://www.amytalluto.com
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Tags: Painting