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	<title>artinbrooklyn.com</title>
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	<link>http://artinbrooklyn.com</link>
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		<title>Maria Baraybar</title>
		<link>http://artinbrooklyn.com/2010/08/maria-baraybar/</link>
		<comments>http://artinbrooklyn.com/2010/08/maria-baraybar/#comments</comments>
		<pubDate>Sun, 29 Aug 2010 18:23:23 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Drawing]]></category>

		<guid isPermaLink="false">http://artinbrooklyn.com/?p=1024</guid>
		<description><![CDATA[




Biography
Peruvian native Maria Baraybar came to the United States at the age of 8 with white sand in her shoes and a head full of questions. The youngest of an immigrant family moving around in the US shaped a young Baraybar’s sensitivities. Trying to answer those questions through poetry, she found her self-expression through the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie20.jpg"><img class="alignnone size-full wp-image-1025" title="artie20" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie20.jpg" alt="" width="500" height="786" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie47.jpg"><img class="alignnone size-full wp-image-1026" title="artie47" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie47.jpg" alt="" width="500" height="786" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie128.jpg"><img class="alignnone size-full wp-image-1027" title="artie128" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie128.jpg" alt="" width="500" height="786" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie205.jpg"><img class="alignnone size-full wp-image-1028" title="artie205" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie205.jpg" alt="" width="500" height="793" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie254.jpg"><img class="alignnone size-full wp-image-1029" title="artie254" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/artie254.jpg" alt="" width="500" height="793" /></a></p>
<p><strong>Biography</strong><br />
Peruvian native Maria Baraybar came to the United States at the age of 8 with white sand in her shoes and a head full of questions. The youngest of an immigrant family moving around in the US shaped a young Baraybar’s sensitivities. Trying to answer those questions through poetry, she found her self-expression through the Visual Arts.  A coping mechanism soon turned into a lifeline. Eschewing conventional art school studies, Baraybar opted for broader education, embracing non-traditional channels to creativity.</p>
<p>Baraybar’s work has been featured in several NYC galleries and is currently on view at Brooklyn’s Nu Hotel. She lives and works in Brooklyn, New York, with her partner Allison Tray and their cats Julio and Gertie.</p>
<p><strong>Artist Statement<br />
</strong>The inspiration behind Artie’s Red Shoe Diaries came out of a personal situation.  I’ve had to endure the difficult process of becoming a naturalized U.S. citizen all my life in the states.  20 yrs of hiding in the shadows with an unresolved immigration case left me with one choice: survival. Survival became more important than self, more important than happiness, more important than my dreams. Faced with my life’s own unique set of absurd trials and tribulations, I created an imaginary friend named Artie.  This genderless character became my own life force.  These unique experiences opened up the opportunity to document the often “peculiar” way of life in suburban America while exploring the juxtaposition of absurdity and meaning through travelogue note-type drawings.</p>
<p><strong>Website<br />
</strong> <a href="http://www.mariabaraybar.com">www.mariabaraybar.com</a></p>
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		<item>
		<title>Cat Celebrezze</title>
		<link>http://artinbrooklyn.com/2010/08/cat-celebrezze/</link>
		<comments>http://artinbrooklyn.com/2010/08/cat-celebrezze/#comments</comments>
		<pubDate>Sun, 22 Aug 2010 16:11:29 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://artinbrooklyn.com/?p=1003</guid>
		<description><![CDATA[
Bridge Series 01182007
2008
2.5&#8243; x 2.5&#8243;
Laminate, Paper, Socket Head Cap Screws

Bird Raptor Series 12122007
2009
10&#8243; x 12&#8243;
Laminate, Paper, Socket Head Cap Screws
.

Dirigible
2009
3&#8243; x 2&#8243;
Laminate, Paper, Socket Head Cap Screws
.

Urban Formations Series 08172009
2009
10&#8243; x 12&#8243;
Laminate, Paper, Socket Head Cap Screws, Acrylite
.

Moses&#8217; Monument
2010
17&#8243; x 11&#8243;
Laminate, Paper, Socket Head Cap Screws, Acrylite
.
Artist Statement
There is a curious deliverance to lamination, the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/1_BBR01182007.jpg"><img class="alignnone size-full wp-image-1014" title="1_BBR01182007" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/1_BBR01182007.jpg" alt="" width="500" height="490" /></a><br />
Bridge Series 01182007<br />
2008<br />
2.5&#8243; x 2.5&#8243;<br />
Laminate, Paper, Socket Head Cap Screws</p>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/2_BRS_12122007.jpg"><img class="alignnone size-full wp-image-1015" title="2_BRS_12122007" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/2_BRS_12122007.jpg" alt="" width="500" height="623" /></a><br />
Bird Raptor Series 12122007</div>
<div>2009</div>
<div>10&#8243; x 12&#8243;</div>
<div>Laminate, Paper, Socket Head Cap Screws</div>
<div><span style="color: #ffffff;">.</span></div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/3_Dirigible.jpg"><img class="alignnone size-full wp-image-1016" title="3_Dirigible" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/3_Dirigible.jpg" alt="" width="500" height="372" /></a><br />
Dirigible</div>
<div>2009</div>
<div>3&#8243; x 2&#8243;</div>
<div>Laminate, Paper, Socket Head Cap Screws</div>
<div><span style="color: #ffffff;">.</span></div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/4_UrbanFormations.jpg"><img class="alignnone size-full wp-image-1017" title="4_UrbanFormations" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/4_UrbanFormations.jpg" alt="" width="500" height="603" /></a><br />
Urban Formations Series 08172009</div>
<div>2009</div>
<div>10&#8243; x 12&#8243;</div>
<div>Laminate, Paper, Socket Head Cap Screws, Acrylite</div>
<div><span style="color: #ffffff;">.</span></div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/5_MosesMonument.jpg"><img class="alignnone size-full wp-image-1018" title="5_MosesMonument" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/5_MosesMonument.jpg" alt="" width="500" height="414" /></a><br />
Moses&#8217; Monument</div>
<div>2010</div>
<div>17&#8243; x 11&#8243;</div>
<div>Laminate, Paper, Socket Head Cap Screws, Acrylite</div>
<div><span style="color: #ffffff;">.</span></div>
<div><strong>Artist Statement<br />
</strong>There is a curious deliverance to lamination, the process central to  my  work.  Combined with the differentiation and re-assemblage of   photographic images, lamination is both a repetition of, and a   difference from, alienation.  Parts of images go into the machine, get   heated up, and come out enclosed, individualized, sealed off. Yet   combined with other similar strata they form a three-dimensional   dreamscape, separate from reality yet animated by its possibility.</div>
<div><span style="color: #ffffff;">.</span></div>
<div>My technique takes as its point of departure the  photographic  image isolated into its core subjects, whether those  elements be  objects, people, light or space.  Once deciphered, I focus  on how such  elements can be rebuilt as sculpture, with depth and  connection.  Floating, separate, but bound and connected by that which  separates,  the result is both serene and odd, an interruption to the  economics of  plastics that bind, a laminated love that, though not  supreme, shines  on nonetheless.<strong></strong></div>
<div><strong><span style="color: #ffffff;">.</span><br />
Website</strong></div>
<p><a href="http://www.laminatedlove.com/" target="_blank">www.laminatedlove.com</a></p>
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		<item>
		<title>Save the Date/Call for Artists</title>
		<link>http://artinbrooklyn.com/2010/08/save-the-datecall-for-artists/</link>
		<comments>http://artinbrooklyn.com/2010/08/save-the-datecall-for-artists/#comments</comments>
		<pubDate>Sat, 21 Aug 2010 12:29:46 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://artinbrooklyn.com/?p=999</guid>
		<description><![CDATA[Save the Date &#8211; INSIGHT Vol. III Release Party
Saturday, October 16 from 7-11pm
F.O.K.U.S. INSIGHT Volume III &#124; Issue 3
Triomph Fitness
540 President Street, Brooklyn NY
Art in Brooklyn will be co-hosting the event, and we&#8217;re looking to show work by local artists. To be considered, please submit a jpeg file with image details (size, medium, title) by [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Save the Date &#8211; INSIGHT Vol. III Release Party</strong></p>
<p>Saturday, October 16 from 7-11pm</p>
<p><a name="12a8592209d6df29_" href="http://www.benchmarkemail.com/c/l?u=8953&amp;e=74F1C&amp;c=1006C&amp;t=0&amp;email=rQJC2JkLzySNTDnKvLNMJ5q4wOJ2jUnu" target="_blank">F.O.K.U.S. INSIGHT Volume III | Issue 3</a></p>
<p><a href="http://www.triomph.us/">Triomph Fitness</a><br />
540 President Street, Brooklyn NY</p>
<p>Art in Brooklyn will be co-hosting the event, and we&#8217;re looking to show work by local artists. To be considered, please submit a jpeg file with image details (size, medium, title) by September 7th to <a href="artinbrooklyn@gmail.com">artinbrooklyn@gmail.com</a></p>
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		<item>
		<title>Maggie Tobin</title>
		<link>http://artinbrooklyn.com/2010/08/maggie-tobin/</link>
		<comments>http://artinbrooklyn.com/2010/08/maggie-tobin/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 15:24:28 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[Painting]]></category>

		<guid isPermaLink="false">http://artinbrooklyn.com/?p=985</guid>
		<description><![CDATA[Artist Statement
I have spent several years drawing trees from observation; studying how their branches twist and turn, reach and retreat, linger… My new paintings are of trees painted from my imagination. A line becomes a branch, then a line again; it spurts, stops, twists, then breaks. The limbs are sometimes graceful; other times they are [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_993" class="wp-caption alignnone" style="width: 510px"><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/FIrstSnow36x352009.jpg"><img class="size-full wp-image-993" title="FIrstSnow36x352009" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/FIrstSnow36x352009.jpg" alt="" width="500" height="496" /></a><p class="wp-caption-text">First Snow</p></div>
<div id="attachment_997" class="wp-caption alignnone" style="width: 510px"><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/Thanksgivingoilonvellumovermirror20x242009.jpg"><img class="size-full wp-image-997" title="Thanksgivingoilonvellumovermirror20x242009" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/Thanksgivingoilonvellumovermirror20x242009.jpg" alt="" width="500" height="404" /></a><p class="wp-caption-text">Thanksgiving</p></div>
<div id="attachment_996" class="wp-caption alignnone" style="width: 510px"><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/Mornings.oilonvellumovermirror28x362010.jpg"><img class="size-full wp-image-996" title="Mornings.oilonvellumovermirror28x362010" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/Mornings.oilonvellumovermirror28x362010.jpg" alt="" width="500" height="375" /></a><p class="wp-caption-text">Mornings</p></div>
<div id="attachment_995" class="wp-caption alignnone" style="width: 510px"><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/Greenoilonvellumovermiror2x242010.jpg"><img class="size-full wp-image-995" title="Greenoilonvellumovermiror2x242010" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/Greenoilonvellumovermiror2x242010.jpg" alt="" width="500" height="500" /></a><p class="wp-caption-text">Green</p></div>
<div id="attachment_994" class="wp-caption alignnone" style="width: 510px"><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/Fontenelle.jpg"><img class="size-full wp-image-994" title="Fontenelle" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/Fontenelle.jpg" alt="" width="500" height="433" /></a><p class="wp-caption-text">Fontenelle</p></div>
<p><strong>Artist Statement<br />
</strong>I have spent several years drawing trees from observation; studying how their branches twist and turn, reach and retreat, linger… My new paintings are of trees painted from my imagination. A line becomes a branch, then a line again; it spurts, stops, twists, then breaks. The limbs are sometimes graceful; other times they are awkward, coarse, entangled gestures. Tension exists in reading the marks as both nature-based and pure abstraction.</p>
<p>The trees are painted in oil on translucent vellum stretched over mirror creating a subtle luminous quality and 3-dimensional effect. I try to capture the sublime quality of the Hudson River Luminists as well as the sense of limitless space in twelfth century Chinese Southern Sung landscapes. Within my paintings there are no cultural references; I aim to reflect the timelessness of nature in a fleeting moment.</p>
<p><strong>Website</strong><br />
<a href="http://www.MaggieTobin.com">http://www.MaggieTobin.com</a></p>
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		<item>
		<title>Linda Zacks</title>
		<link>http://artinbrooklyn.com/2010/08/linda-zacks/</link>
		<comments>http://artinbrooklyn.com/2010/08/linda-zacks/#comments</comments>
		<pubDate>Sun, 01 Aug 2010 11:39:33 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Collage]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[mixed media]]></category>
		<category><![CDATA[street]]></category>

		<guid isPermaLink="false">http://artinbrooklyn.com/?p=976</guid>
		<description><![CDATA[





The Street (detail)
Biography
&#8220;A creative mind not content to simply sit back and observe- her work is alive.&#8221;
Linda Zacks has a passionate love affair with words and letters. Her  signature is the way she uses type in her art &#8211; clever verbiage drawn  from her trusty stack of sketchbooks. She uses words like artillery, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet1.jpg"><img class="alignnone size-full wp-image-978" title="thestreet1" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet1.jpg" alt="" width="500" height="537" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet2.jpg"><img class="alignnone size-full wp-image-979" title="thestreet2" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet2.jpg" alt="" width="500" height="537" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet3.jpg"><img class="alignnone size-full wp-image-980" title="thestreet3" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet3.jpg" alt="" width="500" height="537" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet4.jpg"><img class="alignnone size-full wp-image-981" title="thestreet4" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet4.jpg" alt="" width="500" height="537" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet5.jpg"><img class="alignnone size-full wp-image-982" title="thestreet5" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet5.jpg" alt="" width="500" height="537" /></a></p>
<p><a href="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet6.jpg"><img class="alignnone size-full wp-image-983" title="thestreet6" src="http://artinbrooklyn.com/wp-content/uploads/2010/08/thestreet6.jpg" alt="" width="500" height="537" /></a></p>
<p>The Street (detail)</p>
<p><strong>Biography</strong><span style="font-family: Arial;"><br />
&#8220;A creative mind not content to simply sit back and observe- her work is alive.&#8221;</p>
<p>Linda Zacks has a passionate love affair with words and letters. Her  signature is the way she uses type in her art &#8211; clever verbiage drawn  from her trusty stack of sketchbooks. She uses words like artillery,  firing back Life as it whizzes by your nose.</p>
<p>Linda&#8217;s work- part poetry, part paint reflects the adoration, anxiety,  filth, fear, and visceral energy of just being alive and aware, and that  makes its way into each picture. Tension. Calamity. The urban  obstinance that turns a jackhammer into a musical instrument. That&#8217;s  what it&#8217;s like. If it&#8217;s not cathartic, it&#8217;s not in her artistic  vocabulary.</p>
<p>Her creations capture the essence of a restless mind- clever commentary  about the world we live in: the wonders of being female, America the  strange, Love &amp; Hate and the twisting of traditional concepts, such  as beauty and war. Every moment has the potential to be captured in a  painting or a unique handmade book.</p>
<p>Nothing is out of the question: old wood, torn paper, rusty metal, ink,  duct tape or a scribbled-over Polaroid. And the textures&#8211;gloppy skid  marks, bumpy nodules and crusty scabs smother the surface.</p>
<p>Linda spent much of her life moving around &#8211; including living overseas  in England as a young child and attending high school in Holland. Before  moving to New York City in 1995, Linda graduated from Brown University  studying semiotics and creative writing and spent her junior year across  the street at The Rhode Island School of Design. This unique blend of  studies led her to a career as an accomplished designer and fine artist.</span></p>
<p><strong>Website</strong><br />
<a href="http://www.lindazacks.com">http://www.lindazacks.com</a></p>
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		<item>
		<title>William Herwig</title>
		<link>http://artinbrooklyn.com/2010/07/william-herwig/</link>
		<comments>http://artinbrooklyn.com/2010/07/william-herwig/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 01:33:34 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
				<category><![CDATA[Painting]]></category>
		<category><![CDATA[abstraction]]></category>

		<guid isPermaLink="false">http://artinbrooklyn.com/?p=964</guid>
		<description><![CDATA[

&#8220;Les Demoiselles d&#8217;Avignon #1&#8243; 96 x 92 in
oil on canvas
2008
.

&#8220;Les Demoiselles d&#8217;Avignon #2&#8243; 96 x 92 in
oil on canvas
2008
.

&#8220;Les Demoiselles d&#8217;Avignon #3&#8243; 96 x 92 in
oil on canvas
2009
.

&#8220;Les Demoiselles d&#8217;Avignon #4&#8243; 96 x 92 in
oil on canvas
2009
.

&#8220;Les Demoiselles d&#8217;Avignon #5&#8243; 96 x 92 in
oil on canvas
2010
.
ARTIST STATEMENT
In  my work I have been exploring the [...]]]></description>
			<content:encoded><![CDATA[<div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles01.jpg"><img class="alignnone size-full wp-image-967" title="demoiselles01" src="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles01.jpg" alt="" width="500" height="522" /></a><br />
&#8220;Les Demoiselles d&#8217;Avignon #1&#8243; 96 x 92 in<br />
oil on canvas<br />
2008</div>
<div>.</div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles02.jpg"><img class="alignnone size-full wp-image-968" title="demoiselles02" src="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles02.jpg" alt="" width="500" height="522" /></a><br />
&#8220;Les Demoiselles d&#8217;Avignon #2&#8243; 96 x 92 in<br />
oil on canvas<br />
2008</div>
<div>.</div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles03.jpg"><img class="alignnone size-full wp-image-969" title="demoiselles03" src="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles03.jpg" alt="" width="500" height="522" /></a><br />
&#8220;Les Demoiselles d&#8217;Avignon #3&#8243; 96 x 92 in<br />
oil on canvas<br />
2009</div>
<div>.</div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles04.jpg"><img class="alignnone size-full wp-image-970" title="demoiselles04" src="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles04.jpg" alt="" width="500" height="521" /></a><br />
&#8220;Les Demoiselles d&#8217;Avignon #4&#8243; 96 x 92 in<br />
oil on canvas<br />
2009</div>
<div>.</div>
<div><a href="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles05.jpg"><img class="alignnone size-full wp-image-971" title="demoiselles05" src="http://artinbrooklyn.com/wp-content/uploads/2010/07/demoiselles05.jpg" alt="" width="500" height="521" /></a><br />
&#8220;Les Demoiselles d&#8217;Avignon #5&#8243; 96 x 92 in<br />
oil on canvas<br />
2010</div>
<div>.</div>
<div><strong>ARTIST STATEMENT</strong><br />
In  my work I have been exploring the concept of history and aging in a  painting. With this current series, Les Demoiselles d’Avignon, I am  exploring these same themes and concepts and how they can be applied to  an image in the digital realm.</div>
<div>
<p>I began with a picture of Pablo  Picasso&#8217;s painting &#8220;Les Demoiselles d&#8217;Avignon”. The idea was to create a  painting that was &#8220;aged&#8221; digitally. By this I do not mean attempting to  create what one would imagine a painting or object to look like after  it has been aged over time. Rather, I mean aging as being the  application of destructive forces to an object or image over and over  again.</p>
<p>When an object is aged, it has been subjected to  repetitive, minor destructive forces over an extended period of time;  for example, the slow staining of a wall from drips or the rusting of a  piece of metal. With a digital image, there are many &#8220;destructive&#8221;  forces that can be applied to cause the image to lose information. With  the first painting in the series, I shrank the image down to 1% of its  size, and then blew it back up again. When this happens, the computer  has to interpret what information to fill in the empty space created  between pixels when it is blown back up again. In the other paintings in  the series, I applied different ways of “aging” the image, causing the  computer to have to make similar decisions.</p>
<p>Applying any of these  destructive actions once or even a few times does not alter the image  substantially. But when applied hundreds of times, the image loses more  and more information to the point where it becomes virtually  unrecognizable. Applying this digitally destructive force over and over  again is the digital equivalent of an object that has been subjected to  the elements over many years.</p>
<p>After the image was created in  Photoshop, I painted it in oil on canvas roughly 8 feet square, the same  size as the original Picasso painting. By repainting this &#8220;digitally&#8221;  aged image, a strange alternate version of the painting is created.  Rather than a painting that has been ripped, stained or discolored over  time, the paintings are images that have been aged in the context of the  digital realm.</p>
<div><strong>CONTACT INFO<br />
</strong><a href="http://www.williamherwig.com" target="_blank">www.williamherwig.com</a><br />
<a href="mailto:info@williamherwig.com" target="_blank">info@williamherwig.com</a></div>
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