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MANUELA FILIACI at Art 101

admin — Mon, 23 Apr 2012 12:17:18 +0000

MANUELA FILIACI

POEMS THAT I CANNOT WRITE AND WISH I COULD

MANUELA FILIACI exhibited her new work at ART 101 from March 23 to April 22.

Filiaci’s ‘poems’ lure us into her world – suffused with color, mystery, suggestion; do we hear music too?

Filiaci has exhibited extensively in Europe and the US. She was born in Vicenza and came to New York where she earned a BFA from The School of Visual Arts. Her credits include curating at the Parallel Window NY 1979 – 1988, designing the sets and costumes for La Mama Theatre E.T.C. and teaching at the NYU program in Venice.

ART 101 is located at 101 Grand St, Brooklyn NY. The gallery is open from 1 to 6 Friday through Sunday, or by appointment; 718-302 02242.

The gallery is wheelchair accessible.

www.art101brooklyn.com

Jerome Marshak at The Marie Walsh Sharpe Art Foundation Space Program

admin — Thu, 19 Apr 2012 08:12:04 +0000

Jerome Marshak
STILL LIFE/WORK TABLE 2/13/12
http://www.jeromemarshak.com/

Marie Walsh Sharpe Art Foundation Space Program 2012 Open Studios

OPENING RECEPTION: Friday, April 27th from 6–9:00 p.m.
INTERVIEW: Irving Sandler will interview Chris Martin on Saturday, April 28th from 12–1:30 p.m.
OPEN STUDIOS: Saturday, April 28th from 2–6:00 p.m. and Sunday, April 29th from 2–5:00 p.m.

The Space Program, offered by The Marie Walsh Sharpe Art Foundation along with a consortium of funders, including Milton and Sally Avery Arts Foundation, Inc., The Robert Sterling Clark Visual Arts Space Award, The Richard Florsheim Art Fund Award for Older Artists, The Greenwich Collection Ltd., and Agnes Gund, announces grants of studio space to 17 visual artists selected from more than 1,100 applicants. A jury consisting of artists Tara Donovan, Janet Fish, Robert Kushner, Tracy Miller, and Fred Tomaselli selected the grantees for The Space Program.

The Marie Walsh Sharpe Art Foundation Space Program is located at

20 Jay Street, 7th Floor, Room 720
Brooklyn, NY 11201
(718) 858-2244

http://sharpeartfdn.qwestoffice.net/

NYFA-EASL PRO BONO LEGAL CLINIC ON MAY 15, 2012

admin — Wed, 18 Apr 2012 00:40:08 +0000

NYFA will be partnering with the New York State Bar Association’s Entertainment, Arts and Sports Law Committee (EASL). EASL will be offering a legal clinic at NYFA free of charge for those who qualify for pro bono legal consultation on Tuesday, May 15th from 4:00pm to 7:00pm. The pro bono attorneys can offer advice on various arts-related issues such as intellectual property, nonprofit, and contract questions.

In order to qualify for a pro bono consultation, you or your organization must meet one of the following requirements by producing your most recent tax return demonstrating that you are:

- An individual earning an adjusted gross income of less than $30,000

- A married couple earning an adjusted gross income of less than $40,000

- A married couple with children earning an adjusted income of less than $50,000

- An organization earning less than $40,000. Note: You will need to verify that your organization pays taxes.

If you or anyone interested have any questions or would like to take advantage of this opportunity and meet the requirements above, please fill out the following form by May 11, 2012, by clicking on this link to the NYFA-EASL Legal Clinic Registration Form.

Any additional questions should be addressed to mrunyan@nyfa.org. Please keep in mind that you will need to bring a recent tax return in order to verify your income. We strongly encourage you to take advantage of this opportunity.

Exhibit: FORMED PERCEPTIONS at Corridor Gallery

admin — Fri, 13 Apr 2012 00:50:37 +0000

FORMED PERCEPTIONS at Corridor Gallery
Curated by Charlotte Mouquin

April 13 – May 20, 2012
Opening Reception: April 15, 4-6 pm
Performance event: April 29, 2-4 pm

Artists Included are Yvette Cohen, Sheila Goloborotko, Antonio Jose Guzman, Carl E. Hazlewood, Hilary Lorenz, & Cullen Washington
Art circles our daily lives and warps, bends, and expands our perceptions of form, place, and color. Formed Perceptions, on view at Corridor Gallery at 334 Grand Avenue in Brooklyn from April 13 – May 20, challenges our relationship with the standard white cube and morphs the viewer’s perception of a gallery into a transcending, swirling, and grounding experience through painting, sculpture, printmaking, projections, and installations.

The opening reception is Sunday, April 15 from 4-6 pm. An accompanying performance and book release will take place on Sunday, April 29 from 2-4 pm. Gallery Hours are Friday to Saturday 12-6 pm and by appointment.

Together, these artists show us the experience of forming perceptions, realizing what is and is not familiar, and giving the viewer the opportunity to bring new meaning to the artwork.

The work shown above is Yvette Cohen’s Per Aspera Ad Astra, a diptych measuring nine feet high. The title translates from Latin as Through Hardship to the Stars. This piece, created for a recent solo site-specific installation, titled Defying Gravity, tests our perception between two-dimensional and three-dimensional objects. To see more of Cohen’s work please visit www.yvettecohen.com

Charlotte Mouquin, is a writer, artist and curator residing in Brooklyn, NY. She is the exhibitions manager for both Corridor Gallery and Rush Arts Gallery in Chelsea, as part of Rush Philanthropic Arts Foundation. Rush Philanthropic Arts Foundation, a 501 © 3 organization founded in 1995 by brothers Russell, Danny and Joseph “Rev. Run” Simmons. Rush Arts Gallery is dedicated to providing exhibition opportunities to an emerging artistic community and exposes disadvantaged urban youth to contemporary arts and culture through educational programming initiatives. www.rushartsgallery.org

BRIC House Fireworks Residency Program First Open Call

admin — Fri, 23 Mar 2012 09:13:18 +0000

Proposals will be accepted from artists and media makers to create collaborative, large-scale creative work in BRIC’s new facility

The opening of BRIC House will bring extraordinary new opportunities for artists and media makers. The BRIC House Fireworks Residency program is one such opportunity supported, in part, with a generous grant from the Rockefeller Foundation’s NYC Cultural Innovation Fund.

Fireworks is a residency and commissioning program for collaborative teams of artists interested in developing new, multidisciplinary work. The program provides technical and financial resources to develop large-scale creative projects that cross—or erase—artistic boundaries. Artists selected for the Fireworks residency will be given broad access to BRIC House and our state-of-the-art production equipment to develop their projects. They will also receive financial support, and production staff, and will be aided by our Residency Manager and a creative advisor. With this residency, we hope to facilitate innovative creative explorations, collisions, and public engagement.

Pilot Project to debut in 2013, featuring the work of Julian Crouch, Mark Stewart and Ragnar Friedank

http://www.bricartsmedia.org/about/bric-house/bric-house-fireworks-residency

Brooklyn College MFA Open Studios

admin — Fri, 23 Mar 2012 01:30:10 +0000

when:
friday, 23 march, 4-10p
saturday, 24 march 1-6p

where:
brooklyn college, department of art
boylan hall, floors 4, 5 & 6 | studio map
2900 bedford avenue | brooklyn ny 11210

NARS International Artist Residency Program

Mike — Tue, 20 Mar 2012 01:08:06 +0000

NARS International Artist Residency Program provides national and international artists with the opportunity to produce new work while engaging with the vibrant arts community in New York City. Artists-in-residence have access to an individual studio space and various professional development programs. Residents have an opportunity to share and present their work through artist talks, workshops, and lectures and receive studio visits by prominent New York City curators, critics and gallerists. The NARS Foundation seeks applications on two levels. The first level includes emerging and mid-career artists for whom appointments as residents may make a significant impact on their careers. The second level consists of artists with established national and/or international reputations for whom a change of environment may offer refreshment and inspiration.

Applications must be delivered to the office by 5 PM on April 6, 2012. Please note that this is not a postmark date. A non-refundable application fee of $35 (US) is required with each application. Applications and guidelines are available for download from our website: narsfoundation.org

EXHIBITION: MYSTICS: A BLESSED RAGE FOR ORDER at BRIC Arts

admin — Mon, 19 Mar 2012 04:52:16 +0000

BRIC Arts | Media | Bklyn presents an exhibition that brings together eight artists whose work is deeply process oriented and can be characterized by meticulous detail, repetition, and often a ritualistic approach towards creating artworks produced in a variety of materials – from paper collage to gold leaf – that can be awe-inspiring and wondrous in their painstaking detail. The exhibition is curated by BRIC’s Director of Contemporary Art, Elizabeth Ferrer. More information on the event is available at bricartsmedia.org.

BRIC presents the exhibition Mystics: A Blessed Rage for Order
Artists Chris Fennell, Matthew Franklin Wilson, Meg Hitchcock, Bernard Maisner, Rob de Oude, Jesse Pasca, Jen Stark, and Mario Trejo

Opening reception: March 21, 7 – 9 pm; on view March 22 – April 28, 2012
BRIC Rotunda Gallery, 33 Clinton St., Brooklyn, NY 11210

Chris Fennell
Manitou, 2009
Acrylic, metallic glimmer, and paper collage mounted on canvas, 94 x 60 in
Courtesy of the artist and Newman Popiashvili Gallery, New York
Image courtesy of BRIC Arts | Media | Bklyn

Mario Trejo
Catharsism, 2012
Archival Ink and enamel on panel, 48 x 36 in.
Courtesy of the artist
Image courtesy of BRIC Arts | Media | Bklyn

Exhibit: Nightmare and Fantasies at Figureworks

admin — Thu, 08 Mar 2012 04:58:40 +0000

NIGHTMARES & FANTASIES
Sometimes we are terrified to fall asleep and sometimes the dream is better than reality.
with
Warren B. Davis, Felix Chavez, Sante Graziani, Artem Mirolevich, Rafael Alvarez Ortega, Frederic Taubes, George Tooker, Pierre-Yves Tremois

MARCH 10 – MAY 6, 2012
RECEPTION: SATURDAY, MARCH 10TH FROM 6 – 10PM
(WITH 10TH ANNUAL ARMORY WEEKEND WILLIAMSBURG AFTERHOURS)

Frederic Taubes, Tincture of Metaphin, Illustration #2, c. 1930, oil on canvas, 36″ x 25-1/2″

Figureworks
168 North 6th Street
Williamsburg, Brooklyn, NY 11249
718-486-7021

http://www.figureworks.com/

Brooklyn Armory Night

admin — Tue, 06 Mar 2012 13:24:42 +0000

WILLIAMSBURG AFTERHOURS
Saturday March 10th, 7-10
Williamsburg & Greenpoint, Brooklyn

This year, during the Brooklyn Armory Night, Saturday, March 10th, Williamsburg and Greenpoint will be hosting an exciting series of artist exhibitions, special video screening and performances at a variety of venues throughout the area. Williamsburg and Greenpoint will be featuring presentations of international and national artists, both home-grown and imported in an explosion of exhibitions, events, screenings and other projects. Everywhere you turn, you’ll find galleries with exhibition openings and special events, restaurants and bars screening artists’ videos, and mobile artist projects. Galleries will be open until 10pm, with special events at participating venues throughout the evening, followed by the Brooklyn Armory Night Afterparty at the art house theatre, Indiscreen.

brooklynarmorynight.com

ART101
New work by Nicola Ginzel and Chester Nielsen, an intriguing pairing of minds and talents. Their art is distinctly unique; their paths surprisingly similar.

BLACK & WHITE GALLERY/PROJECT SPACE
Project Space: Santiago Taccetti, Site-Specific Installation: “Smoke & Mirrors / Nothing To See Here”. Black & White Gallery: “The World According To….” Group show, Participating artists: Eric White, Michael Van den Besselaar, Isidro Blasco, Roberley Bell, Alejandro Moreno, Santiago Taccetti and Amy Talluto.

CAMEL ART SPACE
“First Truth,” curated by Sara Hubbs and Sara Jones, featuring: Gina Beavers, Megan Hays, Sara Hubbs, Janelle Iglesias, Sara Jones, Siobhan McBride, Danielle Mysiliwiec. “Yuka Otani,” a new installation inspired by Hojoki, an essay by Chomei Kamono: a Japanese 13th century poet who expresses the sense of mujokan (impermanence) during the medieval age of wars and disasters.

CAUSEY CONTEMPORARY
“Mesmer Eyes,” a solo exhibition by Kathy Goodell. Sculpture and drawing. The centerpiece of Mesmer Eyes is a twenty-five foot long installation, comprised of more than 8,000 small oval shaped ink paintings, with suspended optical lenses. Causey Contemporary will be projecting a video by Bahar Behbahani at the front of their space from 8-9 pm. Artist Christine Sciulli’s “Roebling Tango” will be shown as part of Armory Brooklyn Night, Saturday March 10 from 7-10 pm. In this site specific projection installation Sciulli will choreograph roving planes of light into organized cacophony within the urban triangle park, Ascenzi Square. Ascenzi Square is located between Metropolitan, Roebling and N.4th Streets.

FIGUREWORKS
“Nightmares and Fantasies,” Sometimes we are terrified to fall asleep and sometimes the dream is better than reality. Warren B. Davis, Felix Chavez, Sante Graziani, Artem Mirolevich, Rafael Alvarez Ortega, Frederic Taubes, George Tooker, Pierre-Yves Tremois

FRONT ROOM GALLERY
“Useful Things(For Getting Lost),” Melissa Pokorny’s sculptural work examines connections between “things” as potent containers of memory, capably representing loss and estrangement, and the deeply metaphorical, haunted landscape of the everyday. Drawing on traditions of assemblage, these sculptural tableau and wall mounted forms address the status of marginal objects and things. Celebrating this year’s Brooklyn Armory night, Front Room will be presenting an evening of outdoor video projections featuring works by Chris Jordan and Jeremy Slater.

JANET KURNATOWSKI
“Morphed,” a show of sculpture with works by Sandra Casti, James Clark, Forrest Myers, Gelah Penn, Heidi Pollard, Rebecca Smith and Kris Scheifele.

LIKE THE SPICE
“Arts not Fair: A Like the Spice Gallery Art Fair,” a month long art fair highlighting special projects by the Like the Spice Gallery artists, including Chino Amobi, Jenny Morgan, Dean Goelz, and more. Special performances, and panels during Williamsburg Armory Night. Video by Jenny Morgan.

PANDEMIC GALLERY
“ALL TALK,” features some of New York City’s boldest anti-heros, cynics and preachers. Those that run us through the gauntlet of fine art, design, and graffiti. Works by: Aakash Nihalani, Andrew H. Shirley, Cassius Fouler, Destroy & Rebuild, Gabriel Specter, Isabel Lasala, J. Ralph Phillips, Jenna Hicock, Jesse Edwards, Jesus Saves, Map, Merk, NohJColey.

PARKERS BOX
Berlin-based German painter Stefan Sehler will be showing new works in a double exhibition at Parker’s Box and Volta. The shows, both titled “Because It’s There”, will be previewed at the Volta opening on Thursday, March 8, and at Parker’s Box on Saturday, March 10 as part of the Armory Show’s “Brooklyn Night”. Stefan Sehler will be showing the latest in his meticulous reverse glass paintings, with startling new forays into both abstraction and figuration.

PIEROGI
“Unreliable Narrator” Ward Shelley, drawings on paper. Unreliable Narrator is about believers. In this exhibition of timeline paintings, Ward Shelley proposes that believers are people who depend on a collection of narratives to explain the world around them.

RAWSON PROJECTS
“Trots and Bonnie,” new sculptures by Allen Glatter.

SIDESHOW
“New Painting,” Lauren Olitski , Susan Roth, and Ann Walsh. March 3rd-April 1st.

SOLOWAY
“Krypta” by the Italian Art Collective Draok (Marta Pierobon, Giorgio Guidi)

VENTANA244
Peter Dudek and Peter Soriano will open an exhibition of collaborative works at Ventana 244. Working together in Soriano’s studio over the course of several months the two have crafted together a series of works that echo aspects of each others practice while taking into consideration the specifics of the exhibition space.

WILLIAMSBURG ART & HISTORICAL CENTER “J_ART 2nd, Tokyo – New York, 5th Annual Emerging Japanese Artists’ Exhibition” video art curated by Hiro Shiraishi, Director of Tokyo based Pepper Project. Armory Night Performance program with outstanding Japanese musicians and dancers. Fri. Mar. 9 – Sun. Mar.11. Group show of 27 emerging Japanese artist (19 from Tokyo and 8 from New York) in all media (Painting, Print, Installation, Photo, ideoAart, Contemporary Craft, and more)

YES GALLERY Ale’, Ale’,Paintings by E.K Buckley.

The Bricoleurs Closing Event at BRIC Rotunda Gallery

admin — Sun, 26 Feb 2012 06:50:44 +0000

BRIC Arts | Media | Bklyn presents a night of performance and closing reception for The Bricoleurs, featuring artists from the exhibition. Cooper Holoweski will perform a live score to his animation piece, Nebuchanezzer’s Dream, with the accompaniment of his brother Doc Holoweski. Joseph Gillette will also perform his ongoing “Neo Media So-Real-ism” project, PARTY FOOD. More information on the event is available at bricartsmedia.org.

* WHAT: BRIC presents Bricolage LIVE, a special program in
conjunction with The Bricoleurs exhibition.
* WHO: Artists including Cooper Holoweski and Joseph Gillette
* WHEN: Friday, March 3, 8 – 10 pm
* WHERE: BRIC Rotunda Gallery, 33 Clinton St., Brooklyn, NY 11210
* ADMISSION: FREE

bricartsmedia.org/contemporary-art

Cooper Holoweski

Dumb Luck, 2011

Art in Brooklyn Update

Mike — Tue, 24 May 2011 01:08:50 +0000

Art in Brooklyn is expanding! I’m working on updating the site to carry even more arts coverage by combining my two sites: ArtinBrooklyn.com and ArtinNewYorkCity.com. The volume of posts is going to slow down temporarily during the transition to the new site BUT even greater things are on the way!

Obstacle at Invisible Dog

Mike — Wed, 11 May 2011 20:50:48 +0000

MAY 14 – JULY 10
OPENING PARTY MAY 14 – 6 to 10 pm

Curated by Steven and William Ladd. This exhibition is part of PLUS ONE CURATION SERIES

Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here

Surrounding themselves with people and places they love has always been important to Steven and William Ladd. Their initial encounter with The Invisible Dog was love at first sight. The space brought back childhood fantasies of exploring caves, old buildings, and nature. Buckets and barrels filled with trinkets and trimmings left behind from a defunct belt factory lined the floors. Lucien Zayan, envisioning the spirit of the future art space, commissioned them to utilize these materials and create a chandelier for the ground floor gallery. This commission blossomed into a friendship and opened the doors to a professional collaboration – from curating The Invisible Store to curating their first art show.

Steven and William have chosen “Obstacle” as the theme of the exhibition; born from the idea of an obstacle course – something to challenge the body and demand attention in the present. They approached artists and asked them to investigate the work they were making, and how the work relates to obstacles. The Perfect Storm, by Sally French, deals with the loss of her home during the housing crisis. Chris Astley explores force, pressure and weight with concrete forms. In the case of artists Antonia Wright and Ruben Millares, they literally confront theirs with a running start. Steven and William collaborated with their sister Bee Ladd’s education program at PS 58, Project Lab. They spent two weeks talking about obstacles and making art with over 400 students. Art-education has always been an important way for them to give back to the community and to encourage future artists.

Jason Bryant: New Work at Like the Spice Gallery

Mike — Thu, 10 Mar 2011 01:04:50 +0000

I Confess, Oil on Canvas, 2007. 40" x 60"

Jason Bryant: New Work
March 11th, 2011- April 3rd, 2011
Opening 6:30-9:00pm, Friday March 11

Like the Spice Gallery
224 Roebling Street. Brooklyn, NY 11211

Jason Bryant’s work explores the discourse between film and painting while using the face as a vehicle for expressing human emotion. Through his paintings, Bryant initiates a dialogue with the viewer on the impact film and popular culture has on our society. He composes his paintings in a format that captures the cinematic narrative in the images he uses.

To the viewer, his paintings can be seen as large scale film stills. By cropping his images to focus on a portion of the face, he asks the viewer to go beyond the surface of the traditional portrait image, and to think about the masks that people wear every day. Bryant’s paintings are often confrontational, yet inviting, questioning the viewer’s notions of reality and how these notions can be blurred or reinforced by film.

Recyclables at Hudson Guild Gallery

Mike — Mon, 07 Mar 2011 02:32:31 +0000

Guild Gallery II /Hudson Guild Fulton Center, 119 9th Avenue, NYC
March 10 – May 5, 2011
Meet the Artists Reception / Thursday, March 10 / 1:00 – 2:30 PM
Viewing Hours / Tuesdays, Thursdays, Fridays / 3:00 – 6:00 PM and by appointment.

Artists /
Denise Adler, Fran Beallor, Michael Berube, Lee Brozgol,
Niccolo Cataldi, Bonnie Epstein, Rubin Gonzalez, Olivia Kaufman,
Peggy Klineman, Erwin List, Rose Mosner, Viviane Rombaldi-Seppey,
Danielle Poletto, John Ros, Sonia Rivero, Anna Walter

Curators / Jim Furlong and Sonia Rivero
Information / 212-760-9837

Arts Programs at Hudson Guild are supported in part by / National Endowment of the Arts, Fund for Creative Communities New York City Department of Cultural Affairs, The Milton and Sally Avery Foundation and Friends of the Arts.

Ellen Gallagher: Greasy at Gagosian

Mike — Thu, 17 Feb 2011 02:48:09 +0000

Ellen Gallagher: Greasy at Gagosian
555 West 24th Street

By Matthew Farina

Revealing her most personal and least socially assertive work to date, Ellen Gallagher’s large mid-career show Greasy is more seductive than political. The artist’s varied interests including natural history, minimalist abstraction, the Harlem Renaissance, and marine life come together with unexpected results, especially within a series of new translucent collages interspersed throughout the exhibition space.

One thing that viewers will notice, especially since this much of Gallagher’s work hasn’t been seen in New York since her 2005 show DeLuxe at the Whitney, is her less pointed use of social commentary and sarcasm. Her former interest is still certainly there, in titles and in collaged rolling eyeballs viewers may remember from the early 2000’s. The artist makes fewer direct references to racially charged ephemera like Ebony Magazine, ads for hair-straightening or skin-lightening products which consistently seemed high-impact but heavy-handed in her shows. The comment on race in her work generated an inseparable discussion of the topic among the viewing public and critics when commenting on her pieces. Since then the artist has intelligently side-stepped into the shadows of this imagery and the decision has only added to the power of her personal aesthetic. The works in Greasy still connect the dots in the story of her artistry- just into a more ethereal realm.

Gallagher’s show is ambitious and full of work that walks the line between dark imagery and glistening abstraction (some of it actually does glitter). In Bone-Brite (2009) we encounter the most representational work in the show, rendered in the same nocturnal blues and greys that you’ll leave the gallery loving. Bone-Brite recalls the faceted compositional acuity of Romare Bearden while presenting a menacing figure enacting some derisive act onto a skeleton. The artist’s disparate influences and vague socio-historic references, which she also imparts in An Experiment of Unusual Opportunity (2008), seem to provide viewers only so much in terms of her intent. Although, to be fair, benefiting from the emotional power of her work, especially in the larger pieces, doesn’t require full understanding of her ideas. The pieces are simply engaging on many levels. As one can inhale and exhale in various depths, Gallagher’s pieces are imbued with the same kind of oscillating flexibility. While you ponder the content, you are entranced by the material – in turn you consider her deftly honed process, and so on.

The star of Gallagher’s show is Morphia (2010). Eight two-sided translucent collage works on paper are presented in the round. The pieces are delicate and milky in appearance and feel lighter and less formal than the looming canvases that fence you into the space. Light and reticent content seeps through the cracks of each work made from ink, varnish, egg tempera and other collaged pieces. The imagery in Morphia is generative and lacy although strangely scientific. You’ll see veiled internal organs, masks and sea creatures that recall the artist’s personal purgatory, Drexciya- the mysterious under-water world she has discussed in many interviews as a “Black Atlantis”. The images in Morphia hover in stormy weather, swallowing the imagery before it emerges in new layers like precipitation. This group of collages adds yet another level of complexity to Gallagher’s recent oeuvre. Thankfully, its odd presence doesn’t turn the exhibit into a one-woman group show.

What really dazzles about Gallagher’s work is her capable range that, in Greasy, unveils the artist’s most personal work to date. An aqueous elasticity can be found in each piece that is tranquil without being warm, and bares the history of a whole story rather than a sequential narrative. The loss of socially or racially charged imagery in most the work serves as a benefit to Gallagher, who seems to be moving away from comment for others and toward a process that is more for herself. The result is a cool glow of ethereal danger that soothes in an equivocal way, just before you feel uneasy.

Ellen Gallagher at Gagosian continues until February 26, 2011.

—

Matthew Farina is a Brooklyn-based writer and artist.

Triple Canopy Launches Tenth Issue

Mike — Fri, 21 Jan 2011 02:06:20 +0000

Triple Canopy collaborates with artists and writers to create innovative, Web-based projects and recently launched “And Yet It Moves,” their tenth issue, featuring works by Nancy Spero, Matt Mullican, and Eve Sussman, among others.

Planetarium, by Matt Mullican
Mullican collaborated with artist and programmer Patrick Smith to create “Planetarium,” a navigable scale model of the solar system. The project deals with the experience and representation of unbounded space, which Mullican has been interested in since he first experimented with digital environments in 1991’s Five into One, a virtual city constructed in accordance with the artist’s personal visual vocabulary and cosmological order.

whiteonwhite, by Eve Sussman & Rufus Corporation
Sussman and her collective, the Rufus Corporation, collaborated with programmer Joshua Noble to create the online version of this “algorhithmic noir.” Whiteonwhite tells the story of Mr. Holz, who arrives in City A around 2016. The film employs an algorithm that draws upon a database of more than one thousand video clips, which are continuously edited together according to “tags” embedded into the voiceover, creating a unique experience with each viewing.

Notes in Time, by Nancy Spero with Christopher Lyon
Triple Canopy collaborated with Prestel editor-in-chief Christopher Lyon and programmer Seth Erickson to reanimate seminal artist Nancy Spero’s landmark 1979 work, Notes in Time. Notoriously difficult to exhibit, this 210-foot scroll (now in the collection of the Museum of Modern Art) is rarely on view. Here, viewers get the chance to engage with the work as the artist intended.

A Forcing of Barriers, by Per-Oskar Leu
“A Forcing of Barriers” is the story of a chance encounter between Arno Breker (1900-1991), Hitler’s “official state sculptor,” and Otto Freundlich (1878-1943), whose work was used to promote the infamous “Degenerate Art” exhibition of 1937. (Many of these works were recently excavated by German authorities and placed on view at the Neues Museum in Berlin.) The project picks up where the Guggenheim’s current “Chaos and Classicism” exhibition leaves off, examining the notion of “political art” through historical documentation and Leu’s own work.

Happy Holidays!

Mike — Fri, 24 Dec 2010 15:49:37 +0000

Happy Holidays from Art in Brooklyn. Thanks for your support and interest in following the work of Brooklyn’s artists. We look forward to continuing – and expanding – coverage of the arts in 2011!

Happy Thanksgiving!

Mike — Wed, 24 Nov 2010 21:59:36 +0000

Wishing you, your family and friends a Happy Thanksgiving!

Save the Date/Call for Artists

Mike — Sat, 21 Aug 2010 12:29:46 +0000

Save the Date – INSIGHT Vol. III Release Party

Saturday, October 16 from 7-11pm

F.O.K.U.S. INSIGHT Volume III | Issue 3

Triomph Fitness
540 President Street, Brooklyn NY

Art in Brooklyn will be co-hosting the event, and we’re looking to show work by local artists. To be considered, please submit a jpeg file with image details (size, medium, title) by September 7th to artinbrooklyn@gmail.com

Lisa Corinne Davis

Mike — Tue, 22 Jun 2010 01:06:24 +0000

Pandemic Logistics

Measureable Phantasmagoria

Itemized Pandemonium

Analytical Anarchy

Quizzical Framework

Artist Statement
Stemming from my own experience as an African American woman of mixed heritage, my work has been an exploration of the divisions and relationships between contemporary ethnic groups. Signs, representations, and abstractions reveal themselves in implied geography, cartoonish shapes, exoskeletal forms, spores, cancer cells, flora, fauna, and so on. Size, shape, and color function to shift and ultimately disrupt the viewer’s perceived ability to conclude that a form is fixed and nameable as perhaps an insect larvae, a piece of candy, an environmental contamination, or some other recognizable object. The impulse to identify and label the forms, and to force a system into the visual disorder in order to create a tidy, decisive, pictorial sense, becomes impossible as the viewer gives in to the realization that his or her decision making is a shifting, contingent interpretation of the visual information presented. Ultimately, these paintings reveal the extent to which our labels and fictions create an artificial simplicity, which guards a more complex and meaningful truth.

Website
http://lisacorinnedavis.com/

Happy Holidays!

Mike — Tue, 22 Dec 2009 02:00:30 +0000

It’s been a fantastic year and you’ve helped to make it possible, so thank you!

I’ve gotten married, had my work featured in several exhibits, got a new art studio, revamped my website, started developing a new group of paintings (see one of my latest pieces above), and posted the work of 50 artists at Art in Brooklyn. Thanks for your support and please stay tuned for more exciting events in 2010!

Health and happiness to you and your loved ones in the New Year

Jessica Baker

Mike — Mon, 16 Nov 2009 13:08:28 +0000

Centerpiece

Multiple Leaf Print

Leaf Relief

Pile of Maples

Ginkgo Leaf Circle

Artist Statement
In 2007, while walking home from my studio on a rainy Fall day and looking down at sidewalks covered with leaves, it occurred to me that the damp, resilient surface of a recently fallen leaf might be able to hold the image of a small, circular copper plate I had recently finished etching. Soon afterwards, I began to experiment with printing on fallen leaves collected from the streets and parks around Brooklyn. As a result, I created an initial series of single and multiple leaf print arrangements using circular copper plate etchings and Plexiglas plates in various combinations to print etchings, monotypes and monoprints directly on the leaves. Several of the arrangements contained leaves with no prints on them at all and some I attached to small branches and suspended with fishing wire to create three-dimensional leaf mobiles.

In 2008, I continued collecting leaves, and began to print monotypes on paper, monotypes directly on leaves, and soft ground etchings of leaves on leaves, while continuing to create new leaf arrangements and mobiles. By the Spring of 2009, I started collecting hundreds of Samara seeds produced by budding Maple Trees and used them to create new monotypes.

I am interested in how the use of the leaves and Samara seeds to make prints on paper removes the plants from their usual context and imbues them with a permanence that does not exist in the natural world. I use multiple plates and colors, along with carefully executed arrangements, endeavoring to make intricate, multi-layered images and patterns that transcend the singular identity of the individual leaf or seed. Yet, somehow I am preserving the memory of each plant’s passage through the world, even while interrupting nature’s intent.

I am also interested in the process of how the leaves are transformed into art objects. I use the botanist’s method of drying and flattening the leaves to preserve them, but they are not chemically treated. Interestingly, a similar technique is used by printmakers to dry and flatten dampened paper after printing. Dried plants can last for hundreds of years, but they have a limited life span. Eventually, the leaves I’ve used will decompose, but the decomposition is designed to be an ongoing and evolving feature of the artwork and functions as a metaphor for life as well as for art.

By using a leaf that has fallen from a tree in November or a seed that has fallen from a Maple Tree in May, I endeavor to capture a moment in the growth and life cycle of a tree and to convey its transient beauty. It is perhaps this ongoing transformation through the inexorable passage of time, this mirroring of life, that has the greatest effect on me.

Biography
Jessica Baker lives and works in Brooklyn, where she collects her materials from the streets and parks of Brooklyn, and creates all of her own prints on a table-top etching press in her studio near the Brooklyn Navy Yard. Her artwork has been presented in solo and group exhibitions throughout the United States and internationally.

Jessica will create her first installation, Seasonal Fall, opening December 4, 2009 in the window of the Soapbox Gallery in Brookyn. From June – August of 2009, Jessica’s work was featured in the exhibit The Nature of Being curated by the Flanders Art Gallery in Raleigh, NC for the Greenhill Center for the Arts in Greensboro, NC. From January – March of 2009, Jessica’s prints and leaf prints were featured in the exhibition Ancient Echoes in Contemporary Printmaking at the Hofstra University Museum in Long Island, NY. In 2008, Jessica’s mixed media leaf work and circular prints were featured in two solo exhibitions, Leaf Circle Line at the Lifebridge Foundation in Rosendale, NY and Leaf & Circle, at the Prospect Park Audubon Center at the Boathouse in Brooklyn, NY. In 2007 and 2008, her work was exhibited at the Galería Nacional and the Dar(t)do Gallery in San José, Costa Rica, the Flanders Art Gallery in Raleigh, NC, the College of Notre Dame of Maryland’s Gormley Gallery in Baltimore, MD, the George Washington Carver Gallery at the Magnolia Tree Earth Center in Brooklyn, NY, the Monroe Center for the Arts in Hoboken, NJ, the JMS Gallery in Philadelphia, PA and the Arlington Art Gallery in Poughkeepsie, NY. In 2006, Jessica’s work was featured in a traveling exhibition, Four Points of View: Figuration in Printmaking, presented at the Galería Naciona in San José, Costa Rica and the Dutchess Community College’s Washington Art Gallery in Poughkeepsie, NY.

In 2007, Jessica was awarded membership in the National Association of Women Artists (NAWA). In the past five years, Jessica has been awarded three artistic residencies at Weir Farm in CT, Skagway National Historic Site in Alaska, and The David and Julia White Artists’ Colony in Costa Rica. In May 2005, she was awarded an etching fellowship at the Women’s Studio Workshop in Rosendale, NY. Her work has been collected privately and is also in a number of public collections.

Website

http://www.jessicabaker.net

Upcoming Exhibit
Seasonal Fall, will be presented by the Soapbox Gallery at 636 Dean St. between Carlton & Vanderbilt Avenues in Brooklyn. It can be viewed daily from 12 – 10 p.m., December 4 – 17. During the opening reception on Dec. 6 from 4 – 7 p.m., attendees are invited into the gallery for refreshments and an exhibit of additional artwork by Baker, as well as the related sculptural work of Soapbox Gallery founder, Jim Greenfield.

Happy Holidays!

Mike — Wed, 24 Dec 2008 05:00:28 +0000

Happy Holidays to everyone who’s been following Art In Brooklyn – and a special thank you to the artists whose work has been featured.

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