Exile
This is a “book” of paper, ink, acrylic, and thread. It was created in
1998 and appeared in the December/January, 2002 issue of the British
magazine Art-Review. It is also featured in the book A tale of two
cities (Impact press, 2001.)

Website
http://sorayamarcano.blogspot.com/

http://www.neoimages.net/artistportfolio.aspx?pid=509

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“Honey I Shrunk Red Hook” at Lucky Gallery is a collaboration between Luis Blackaller and Andy Cavatorta, who aim to start a creative discussion about Red Hook, the inhabitants and folklore. The mission of this project is to bring together a diverse mix of members of the Red Hook community to use art and gallery space as communication devices. Blackaller and Cavatorta will create a cardboard model of the streets surrounding Lucky Gallery, and build a collection of photorealistic dolls representing Red Hook dwellers.

“Red Hook has an air of mystery that I can’t find anywhere else in New York,” explains Blackaller. “It feels somewhat uncharted, perhaps separated as it is from the New York comprehensive subway network. When thinking about making art for Red Hook, I immediately feel like using this art as an excuse to get closer to the people in it, and learn about the place from them hopefully helping them learn from each other in the process.”

The closing reception on Saturday, August 29, will feature a short film projected outside the gallery featuring highlights from the opening, the exhibition and interviews. The photorealistic dolls of Red Hook inhabitants will be given to their rightful owners and there will be live music from local musicians. Food and drink will be provided.

August 8th to August 30th, Lucky Gallery
Closing reception on Saturday, August 29, from 6-10 PM

Luis Blackaller is an artist from Mexico city with an interest in culture, technology and media. He graduated with honors as a Mathematician in the National Autonomous University of Mexico. He has worked as a Designer, Art Director and Motion Graphics Artist in the Mexican film industry for 10 years. He recently graduated with a Master of Science Degree at the MIT Media Lab under the mentorship of John Maeda, where he explored online creative social systems and their relationship with artistic expression and communication.

Andy Cavatorta can’t stop making things: robots, bikes, art, music, software and films. Sometimes the robots make more music, the software makes more art and the bikes shoot movies. He is currently developing musical robots and large-scale performances and installation with Ensemble Robot. Cavatorta is currently a graduate student at the MIT Media Lab.

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Palm Springs 6, acrylic and aquarelle on panel, 34×60

Palm Springs 5, acrylic and aquarelle on panel, 34×48

Retreat, acrylic and aquarelle on panel, 34×28

Artist Statement

My recent work investigates the shadows of the American middle-class landscape. I locate surface qualities that both seduce and haunt, simultaneously evoking my own middle-class desires and a recognition of the feebleness of those desires: things coming and going. A vantage point. Translating those surface qualities becomes a way to work through the tensions within my creative life; I want both beauty and grit, just as, perhaps, I want aspects of the suburban dream as well as the right to criticize it.

By following the areas of seduction- palm trees against a pink sky, the sweep of a smooth concrete driveway–  the contradictions of suburban desires present themselves. The darker, less-defined areas mark an entrance into the real domestic life of the place. Ideas and longings flicker and disappear.  A walkway leading to a house, possibly a home, is barely visible in the darkness of night – or obscured by memory itself. The empty spaces hold something.

Contact

www.meganberk.com
meganberk@hotmail.com

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