artinbrooklyn.com » Drawing

galleryELL proudly presents inLINE — a new online group exhibition about line

admin — Sat, 07 Apr 2012 08:44:52 +0000

galleryELL proudly presents inLINE — a new online group exhibition about line featuring the artwork of galleryELL artists Joel Bacon, Kariann Fuqua & Deanna Lee and introducing brooklyn college mfa candidates Jiyoun Lee-Lodge, Kate McGraw & Mitch Patrick

curated by john ros

view the exhibit: http://galleryell.com/exhibitions/inline/

Exhibit: NEXT IN LINE: DRAWING IN THE 21st CENTURY at Kunsthalle Galapagos

admin — Wed, 21 Mar 2012 04:29:44 +0000

NEXT IN LINE: DRAWING IN THE 21st CENTURY curated by Erin Brown

work by: Joseph Burwell, Martí Cormand, Adam Fowler, Margaret Inga Wiatrowski, Dustin London, Chris Nau, Allyson Strafella, and Ilene Sunshine

March 23rd–April 22nd, 2012

Opening Reception March 23rd, 6-9 pm

Early in the 20th century, drawing underwent a dramatic transformation: as advances in photography freed drawing-based processes of their traditional obligation to communicate information or illustrate events, drawing became a direct and immediate method of expression, fueled by the rapidly changing ideological landscape of early abstraction. The principles of drawing—and line in particular—began to permeate the visual vocabulary of other media, and inform the way painting, sculpture, installation and performance work was made. Line came to the forefront of the page and canvas: no longer a mere subservient undergirding but a vital, vocal tool in expressing energy, movement, emotion, and boundaries in these new idioms.

This exploration continues today, with drawing undergoing constant permutations as technology advances and ideas continue to shift. Next In Line engages the work of eight New York Foundation for the Arts drawing fellows and examines how each artist utilizes line as a means to achieve a unique voice, both formally and conceptually.

For Allyson Strafella, whose whisper-thin copy paper sheets are perforated with thousands of typed colons, line is a process of accumulation, a concept that recurs in Adam Fowler’s sweeping gestural drawings that have their negative space removed by hand with an exacto blade before they are layered one atop the other in a diligently meditative process. The act of removal serves Dustin London in a different way—rather than eliminating negative space to highlight lines laid down on a plane, he carefully removes strips from the micaceous iron oxide surface of his work to create stark lines of negative space that serve as a formal foundation for his drawings.

Margaret Inga Wiatrowski gives line an eerie sense of demarcation as she creates work that charts the boundaries and negative spaces of physical places that have ceased to exist, while Joseph Burwell shapes impossible architectures with draftsman-like precision in layers, one over the next, to leave vestiges of their history behind in erased lines and burred furrows where a pencil engraved the surface of the board. Impossibility and absurdity also play a crucial role in the work of Martí Cormand, where gorgeously rendered graphite landscapes are transected by aggressive-yet-playful, otherworldly pipes of bold primary colors, accentuating the emotional power of a single line.

The exhibition features three large-scale, site-specific works that address the issues of material, space and the body. Chris Nau’ssweeping, 25-foot wall cut utilizes principles of space and form to create gestures that are at once physically energized and utterly serene using line as a non-entity and playing on notions of physical reality and illusion. Working with found objects and non-traditional media, Ilene Sunshine will create a drawing that engages with Kunsthalle Galapagos’ unique architecture and invites viewers to move through as well as circumnavigate it. Adam Fowler will further engage the viewer in their physical awareness as he utilizes the body as an expressive mechanism for line in his gestural wall drawing.

Broad in its scope, Next In Line aims to engage the viewer in a lively visual discussion of emerging implications and impact of art making’s most fundamental gesture.

Artist Profile: Jessica Polzin

Art in New York City » Brooklyn — Thu, 08 Sep 2011 09:00:40 +0000

Artist Statement
My aesthetic is based on the limitless. Seeing infinite potential in all areas of design and how I can manifest them to create something with fluidity and complexity. As an artist reaching a place of balance is such an extreme rarity, Balance is often the underlying theme in my artwork, and the desire to reach harmonious proportions my underlying intent.The natural world is my tangible fantasy, with infinite variables and constant surprises. I seek perfection but delight in all the chaos and unexpected incidences that cause one to redirect thought and ideas. I enjoy problem solving and the progression of the design process.

Website
http://www.jessicapolzin.com/

Diana Leidel

Mike — Fri, 25 Mar 2011 16:00:27 +0000

White MOMA Chair

White Ghost Basement Chair

White Basement Chair

BAGsingle

Statement
I’ve become fascinated with the sculpted nature of chairs and the visual force they project. I photograph them everywhere, work into the images, and render them in black and white to try to get to their essence.

Website
http://web.mac.com/dianaleidel/DIANA_LEIDEL/home.html

Dawn Henning

Mike — Mon, 14 Mar 2011 01:00:36 +0000

Ochre & Orange

Nomadic Cowbird

Mockingbird Music

In Praise of the Pidgeons

Amanda's Warbler

Artist Statement
My love of birds and their gift of flight is a recurring theme in much of my work often used used as a metaphor (although I rarely paint them in flight.) for life. The subtlety of patterns in natural forms and the colors as they appear in the natural world interest me. That juxtaposed with my love of patterns and color in textiles and the material world is the basis for much of my visual exploration. I have always been interested in our relationship with nature.

I have been Influenced greatly by my years working as a printmaker. Paper is my favorite surface to paint, and often paint in layers working with the residue of pigment that gets trapped within the fibers. City parks and the wildlife they support have been my refuge growing up in Brooklyn, they continue to be my tonic for life.

Contact information:
henning.dawn@gmail.com
www.dawnhenning.com
blog:sketchjay.wordpress.com

Jérôme Karsenti

Mike — Mon, 07 Mar 2011 02:48:22 +0000

FLOW ATHANOR. 55 cm x 74 cm. Silicon Carbide an ink on wood. 2011

Statement
The painting lies within the paintbrush, seeking to come out of itself. In Jérôme Karsenti’s paintings, however big they may be, no excess. The attention is always on the detail, on the imperceptible quiver, on the as yet unseen connection. Around the curve of the ribbon everything connects and resonates: the gesture of the lithographer cleaning and graining his stone. Jérome Karsenti likes to think of the obscure origin of the wind that brushes us: a flow, a swirling current which connects us to the whole.

Today, inspired as much by the old masters as our capitals of hypermodernity, of Berlin and New York, where artists like Robert Frank and Sally Man have most recently made him shudder – Jérôme Karsenti is continuing his search in a double direction which may seem intellectually contradictory, but which is easily resolved by the brush: follow an ever growing complexity of the work whilst following its purity.

Website
www.jeromekarsenti.com

Meredith Hoffheins

Mike — Mon, 24 Jan 2011 00:48:30 +0000

Statement
Meredith Hoffheins’ meandering hands create imaginative and lyrical works on paper that intuitively portray a desire for the unattainable. Her works can be spare and visionary, or abundant with internal information.

Website
http://reseda.tumblr.com/

Current Exhibit
http://extensionsofmemory.tumblr.com/

Lindsay Kolk

Mike — Mon, 24 Jan 2011 00:30:47 +0000

Lattice

Shell

Vestige

Statement
Whether printed on the page, manifest in continuously looped forms, or carefully arranged structures Lindsay Kolk quietly meditates on the repeated mark. At once familiar and consistent, these marks are intuitively and carefully manipulated, obscured, even destroyed; efforts that intrinsically assign value even to that which appears as a remnant.

Website
http://elmehr.wordpress.com/

Current Exhibit
http://extensionsofmemory.tumblr.com/

James Chen-Feng Kao

Mike — Sun, 31 Oct 2010 00:42:45 +0000

Artist Statement
I want my work to capture the viewer and take them elsewhere. I provide the impetus for this journey without dictating the destination. I do this through drawings, sculptures, and installations that present suggested stories and abstracted characters. I render characters using Chinese calligraphy ink strokes, I paint a pattern titled “Skullscape” onto character sculptures, and I place figurine multiples into specific formations. All these actions mix the element of abstraction with the cartoon, and add an extra layer of masking but suggest fragments of stories and personalities. My art lies in the moment of interaction between the viewers and the work: when they decipher and realize what they see is not what they expect, and this moment takes them to another place from present consciousness.

Website
http://www.jianfone.com/

Lisa Bauer

Mike — Mon, 13 Sep 2010 00:15:02 +0000

“Where I Stay”
Mixed Media
14 X 17 1/2 Inches
2009

“The Marcy Projects”
Ink
9 X 9 Inches
2009

“Suffering By Gigolo in the LES”
Oil on Panel
14 X 29 Inches
2010

“Inners”
Ink
4 X 6 Inches
2009

Artist Statement
Lisa Bauer is a multi disciplined artist specializing in printmaking and has been living in Brooklyn, New York (11206) since 2006. Many of her pieces are short narratives of her life in different moments in time. She draw inspiration through the places and strangers. For further research about Lisa go to http://lisagbauer.tumblr.com.

Maria Baraybar

Mike — Sun, 29 Aug 2010 18:23:23 +0000

Biography
Peruvian native Maria Baraybar came to the United States at the age of 8 with white sand in her shoes and a head full of questions. The youngest of an immigrant family moving around in the US shaped a young Baraybar’s sensitivities. Trying to answer those questions through poetry, she found her self-expression through the Visual Arts. A coping mechanism soon turned into a lifeline. Eschewing conventional art school studies, Baraybar opted for broader education, embracing non-traditional channels to creativity.

Baraybar’s work has been featured in several NYC galleries and is currently on view at Brooklyn’s Nu Hotel. She lives and works in Brooklyn, New York, with her partner Allison Tray and their cats Julio and Gertie.

Artist Statement
The inspiration behind Artie’s Red Shoe Diaries came out of a personal situation. I’ve had to endure the difficult process of becoming a naturalized U.S. citizen all my life in the states. 20 yrs of hiding in the shadows with an unresolved immigration case left me with one choice: survival. Survival became more important than self, more important than happiness, more important than my dreams. Faced with my life’s own unique set of absurd trials and tribulations, I created an imaginary friend named Artie. This genderless character became my own life force. These unique experiences opened up the opportunity to document the often “peculiar” way of life in suburban America while exploring the juxtaposition of absurdity and meaning through travelogue note-type drawings.

Website
www.mariabaraybar.com

Linda Zacks

Mike — Sun, 01 Aug 2010 11:39:33 +0000

The Street (detail)

Biography
“A creative mind not content to simply sit back and observe- her work is alive.”

Linda Zacks has a passionate love affair with words and letters. Her signature is the way she uses type in her art – clever verbiage drawn from her trusty stack of sketchbooks. She uses words like artillery, firing back Life as it whizzes by your nose.

Linda’s work- part poetry, part paint reflects the adoration, anxiety, filth, fear, and visceral energy of just being alive and aware, and that makes its way into each picture. Tension. Calamity. The urban obstinance that turns a jackhammer into a musical instrument. That’s what it’s like. If it’s not cathartic, it’s not in her artistic vocabulary.

Her creations capture the essence of a restless mind- clever commentary about the world we live in: the wonders of being female, America the strange, Love & Hate and the twisting of traditional concepts, such as beauty and war. Every moment has the potential to be captured in a painting or a unique handmade book.

Nothing is out of the question: old wood, torn paper, rusty metal, ink, duct tape or a scribbled-over Polaroid. And the textures–gloppy skid marks, bumpy nodules and crusty scabs smother the surface.

Linda spent much of her life moving around – including living overseas in England as a young child and attending high school in Holland. Before moving to New York City in 1995, Linda graduated from Brown University studying semiotics and creative writing and spent her junior year across the street at The Rhode Island School of Design. This unique blend of studies led her to a career as an accomplished designer and fine artist.

Website
http://www.lindazacks.com

Cynthia Sparrenberger

Mike — Sun, 18 Jul 2010 23:25:10 +0000

Empty House

Muse

Psychic Carnivale I

Psychic Carnivale II

Sanctuary
Artist Statement
These mixed media “drawing/paintings” find their roots in the exploration of unconscious images.

That” inner landscape” of the human soul where the boundaries of reality seemingly merge with the uncontrollable “netherworld” of dreams, visions, and nightmares.

Executed in pen and ink, as well as pulverized graphite, oil paints, oil sticks, pastels, charcoal and collage on both canvas and paper, the intention is to leave space for the viewer to individually engage, seeing or not seeing in relation to their own imagined perceptions of the images before them.

Website
http://sparrenbergerstudio.com/

Lisa Corinne Davis

Mike — Tue, 22 Jun 2010 01:06:24 +0000

Pandemic Logistics

Measureable Phantasmagoria

Itemized Pandemonium

Analytical Anarchy

Quizzical Framework

Artist Statement
Stemming from my own experience as an African American woman of mixed heritage, my work has been an exploration of the divisions and relationships between contemporary ethnic groups. Signs, representations, and abstractions reveal themselves in implied geography, cartoonish shapes, exoskeletal forms, spores, cancer cells, flora, fauna, and so on. Size, shape, and color function to shift and ultimately disrupt the viewer’s perceived ability to conclude that a form is fixed and nameable as perhaps an insect larvae, a piece of candy, an environmental contamination, or some other recognizable object. The impulse to identify and label the forms, and to force a system into the visual disorder in order to create a tidy, decisive, pictorial sense, becomes impossible as the viewer gives in to the realization that his or her decision making is a shifting, contingent interpretation of the visual information presented. Ultimately, these paintings reveal the extent to which our labels and fictions create an artificial simplicity, which guards a more complex and meaningful truth.

Website
http://lisacorinnedavis.com/

Francisco Lopez

Mike — Thu, 17 Jun 2010 01:04:55 +0000

Artist’s Statement
Film, obsession and beauty
The focus of my work is in the chance union of forms, symbols, images and colors. It is through cosmetics, in the sense of making up the world in an almost shaman-like manner, that my work plays with a pre-established language of beauty pervasive in popular culture and attempts to establish a complicated link to a mythological world. My work is about obsession and beauty.

Bio/Resume
Born in Florida, and raised in Caracas, Venezuela, Francisco López has been based in New York since 2001. He graduated from the School of the Museum of Fine Arts Boston in 1999. His work has been exhibited at the Boston ICA, Trieste Film Festival in Italy, Sala Mendoza in Caracas, and Transhudson Gallery and Momenta Gallery in New York. In 2004 he showed a video installation as part of the Young Architects Program at PS1 MOMA in New York and his video “Telepathic Numbness” was exhibited at the British Council Electric Earth Show in Caracas, Venezuela. He has lectured at the California Institute of the Arts and Fashion Institute of Technology in 2009.

Website
http://www.mogollon-ny.com/

Sheena Hisiro

Mike — Sat, 08 May 2010 00:39:47 +0000

Artist Bio
Sheena Hisiro has been drawing since she could hold a pencil. She currently lives in Brooklyn, where she is still drawing and loving every minute of it. She earned a BFA in Communications Design from Pratt Institute. She recently illustrated a children’s book that is being released this summer and is very excited about it! She is currently working on a greeting/gift card line featuring limited color palettes, floral prints, patterns (lots of stripes), detailed line work, and little hand-made envelopes to match.

Website
http://oodlesofdoodles.tumblr.com/

Artists’ Open Studios in Red Hook, Brooklyn

Mike — Sun, 25 Apr 2010 15:37:56 +0000

Saturday, May 1st and Sunday May 2nd, 2010 from 12–6 pm

Screwball Spaces, Gowanus Canal’s newest addition of artists’ studios in Red Hook, Brooklyn, opens its doors to the public for a rare glimpse into the work spaces of New York’s contemporary artists.

http://openstudios.screwballspaces.com/

Henry Chung, Studio 50, Anonymous #23, 36″ H x 24″ W (framed), Computer Punch Tape
http://www.HenryChung.com

Enrico Miguel Thomas
Studio 90

Miranda Maher
Studio No. 56
http://www.miranda-maher.com
miranda_maher@hotmail.com
miranda@miranda-maher.com
347-431-5275

Cat Celebrezze Studio 39

Title: Birds are Dinosaurs

Media: Laminate; Paper; Socket Head Screws

2010

Leoworks, Studio 27

Joetta Maue
waking with you, 2010, hand embroidered, appliquéd, and painted re-appropriated linen, and queen size bed, 60in x 80in. x 15in.
www.joettamaue.com
Studio #2

Yasha Butler, studio 80, Title: Off Circle, Media: Porcelain and Glaze / wheel-thrown and altered, Size: 6.5″h x 10″ x 10″, www.yashabutler.com

Nathan Gwirtz; ceramics arena #12; oval dish, 2010, porcelain, underglaze sgrafitto, glaze; nathangwirtz.com

Susan Heller, Studio 15, “Layered Form”. I am in Studio # 15, http://www.susanhellerceramics.com

Linda Tharp, Studio #64, Oil on Panel, 12″ x 24″, www.LindaTharp.com

Joshua R. Marks, studio 97, “Epoch”mixed media, 36″h x 19″w x 11″d, 2010

Lake Lahontan, 17 x 22″ poster from the Siting the Geologic series, 2009.
Jamie Kruse / Elizabeth Ellsworth
smudge, studio #37
smudgestudio.org | friendsofthepleistocene.com

Lydia Reinhold, Studio 77 Screwballspaces, acrylic on canvas,2010, 47″X 63″, detail.

http://www.lydiareinhold.com

Kathleen Collins, Studio #96; Gates, Central Park, contact: kathc@juno.com
website: www.kcollinsphotography.com

Megan Berk, Studio 93, Pool Party, 2010, acrylic on panel, 42″ x 34″, http://meganberk.com/

John Tebeau, “Monopoly Smackdown”, Studio 43, http://jctebeau.etsy.com

Andy Mister, Studio #89, Title/Dimensions: Tate, Graphite on Paper, 40 x 50 ins.
Website: http://registry.whitecolumns.org/view_artist.php?artist=9489

Brendan Donleavy, Studio 62, The Tinker, Oil, bdonleavy@gmail.com
.

Dana Atherton, Studio 62, Abstract Collection, Oil dana.a.atherton@gmail.com

Spring Hofeldt, Studio 2, “tough love”, acrylic on board
spring@springhofeldt.com
www.springhofeldt.com

Dave Marin
Image:Untitled, 20 x 20 Digital Photo Print, 2009
Studio #92 Screwball Spaces, Websit:e davemarinart.com, Email: davemarinart@gmail.com

John Shorb; Rowan Oak IV, 2010, 30″ x 11″, Transfer on paper; http://www.johnshorb.com

Kyoko Sera, Studio 44, Title: Seeking an Unfragmented Life: Cross Model 0-4, Installation; acrylic on cloth, canvas

Julia Whitney Barnes, studio #74; La Jardiniere, 2009, 120 x 310 x 15″ (dimensions variable), mixed media (porcelain, stoneware, earthenware, glaze, oxides, gold luster, wood, epoxy, wire and acrylic paint); www.juliawhitneybarnes.com

Akiko Kato, Studio #86, Title: emergence + re-emergence, Media: Sterling Silver 0.925, 18KYG Vermeil; Contact Info: info@beroepbklyn.com, www.beroepbklyn.com

Peter Patchen, Studio 76, http://www.peterpatchen.com/

Hearken, 2009, Media: 3D Print, Bronze/Iron Patina, Software: Maya

Michael Sorgatz, studio 43; Union Square Farmers Market, 16″ x 20″, Acrylic on Canvas; www.mikesorgatz.com

Daniel McDonald

Mike — Tue, 16 Feb 2010 00:42:13 +0000

Visitation, 2009
7 layer/14 impression silk screen
25 x 33 inches
edition of 25

Found, Gowanus, 2009
oil, pastel and wallpaper
18 x 22 inches

Along the Way, 2008
pastel on paper
31.25x 69.25 inches

Horizontal Triptych II, 2009
oil on linen
30 x 36 inches

Book, 2008
7 layer/14 impression silk screen
25 x 33

Artist Statement
The complexity of the art world is curious, it has spawned many different artists in so many directions in the last century. Looking back I discovered that the direction I related to is “. . .free art from the burden of object.” — Kasimir Malevich. I appreciate the pure and simple aesthetic and I have always related to a spontaneous approach to painting and printmaking.

Website
http://www.artbrooklyn.com

Rebeca Olguin

Mike — Sun, 03 Jan 2010 20:32:45 +0000

Hidden Treasure

On Second Thought… Panic

Mom, Listen to the Sea

Artist Statement
My son’s birth has meant an encounter with a completely new form of experiencing life and interacting with the world. Since the moment I knew I was pregnant, parenting has been an existential experiment –an involuntary, uncontrolled one– marked by the encounter with a being that was, first, a part of me, but then became an Other, becoming ever more different from me with each second, becoming more Other. Motherhood has been, for me, the progressive development of an I that opens to an Other in a process marked by a bittersweet recognition and simultaneous estrangement. It has brought the opportunity to experience the Other not by means of a confrontation, in time and space, of two different persons, but through the gradual separation of one in two.

I’m Open to You is a series of photographs –taken and digitally altered by the artist– in which some of my son’s favorite objects and toys appear. These objects have invaded every space of my everyday life, as a symbol of my son’s existence installing itself in my own existence, as well as in his father’s. I experience this existence as open to me, and at the same time as a door to revisit my own existence, an opportunity to formulate fantastic hypotheses to explain places and things that had become common for me over the years. Many of these photographs are also the telling of the act of daring to open and be open to something, with the hope to make an unexpected discovery through an irreversible process, like maternity itself.

Website
http://www.rebecaolguin.com/

Rejin Leys

Mike — Fri, 18 Dec 2009 03:54:19 +0000

Arroz con Pollo

Theories of Evolution and Connection

Hen Diagram

Adaptation Module One

Artist Statement
Drawing is my way to explore ideas and develop an understanding of concepts that seem remote or abstract. When I juxtapose different ideas in a drawing, it allows me to think about those ideas and the relationships between them.

“Evolution + Connections” was prompted by last year’s food shortages and riots, in Haiti and elsewhere. The idea grew when I began to think about: what we think of as food; how we grow food to feed to animals that we think of as food; what animals eat; and the evolutionary and other connections between humans and other animals. Children often refer to how “chickens evolved from the dinosaur” and I’m interested in the way chickens are singled out, when there are so many more connections that can be made. We learn about food chains, but on closer examination those chains turn into webs, with many layers of cooperation and competition.

The drawings too have many layers, some with more obvious narrative content than others. Ultimately each drawing evolves from the initial idea and travels a path that follows its own internal logic.

Website
http://rejinleys.com/

Henry Chung

Mike — Mon, 07 Dec 2009 01:23:22 +0000

Anonymous #15, 2008
34″H x 22″W
Computer punch tape

Anonymous #16, 2008
40.5″H x 22″W
Computer punch tape

Anonymous #10, 2008
48″H x 22″W
Computer punch tape

Artist Statement
Identity/Anonymity Series
These portraits are of people that I do not know. They are based on pictures of people from old photographs that I found in flea markets and antiques stores. While collecting these old photos, I found that there was something haunting and inherently sad about the faces that looked back at me. While anonymous to me, these photographs were a lifetime of cherished memories for someone else. I wondered about these people, who they were, what the occasions were where the pictures were taken, and why these photographs which served as the representation of these moments were ultimately discarded.

I began to imagine what the lives of these people were like. I wanted to know that these memories that seemed discarded were in fact not forgotten. I enlisted help from others to help me re-invent these events, and to ensure that a happy ending was enjoyed by everybody in these discarded memories. I asked people to look at these portraits and invent facts about these people. I was to weave these facts into stories for each of these people, creating new identities that would save these memories from obscurity.

At the end, the reality is that these images were discarded. I will never know who they are, and I can never be sure that their lives ended happily.

These portraits are composed strips of computer punch tape, an obsolete technology that was commonly used during the time when these original photographs were taken. The strips are assembled by hand and adhered to the wall.

Ultimately, the series is about information access and my quest for a resolution that I could never find: people whose information I want but don’t have access to, rendered in a data format that can no longer be read.

Website
www.HenryChung.com

Scott Faucheux

Mike — Sun, 29 Nov 2009 14:09:13 +0000

lines 001: 9″ x 9″; ink, paint marker, automotive paint, on paper

bagtag 006: 9″ x 9″ ; found printed paper and glue on paper

lightning: 24″H x 36″W; found printed paper and shellac on canvas

jellyfish: 72″W x 48″H; housepaint, acrylic and shellac on canvas

Artist Statement

my work is about the mechanical expression of natural phenomena. I’ve heard my studio described as the CERN lab of patterns, as if i am actually getting all these individual visual elements moving near light speed and just smash them together on a canvas, looking for the birth of a new universe.

that actually doesn’t sound bad.

each of my pieces is the result of dozens, hundreds or thousands of actions taking place in the same space. each actions bends and transforms the next, adding layers and layers of richness to the surfaces. i have almost found the secrets to bending these forces to my will. almost.

Website
www.scottfaucheux.com

Lauren Simkin Berke

Mike — Sun, 01 Nov 2009 16:10:51 +0000

Artist Statement:
Excavations and Adaptations is a series of more than sixty small works that combine ink drawings from my sketchbooks (through the use of xerox transfer) with collage. The drawings are mostly based on photographs, both found and personal, with a few drawn from direct observation. The collages vary from simple swaths of color to complex abstract patterns.

About five years ago I started to collect old photographs, and then I began to draw from them. I find these photographs at flea markets, in antique and junk shops. They are often family snapshots, from the 1920s through the 1970s, or studio portraits from the last quarter of the 19th century. I find it strange that these documents are for sale as part of a consumer market place, instead of being in albums on bookshelves in the homes of the families of those in the photos. I find myself at the intersection between a fascinated voyeurism and a determination to know these documents as well as humanly possible in order to give them new, longer life.

Website
http://www.simkinberke.com/

Rosa Ruey

Mike — Sat, 10 Oct 2009 12:22:15 +0000

Module Assembly Factory

Untitled (Aerial View)

Alchemic Transmogrifier For Distressed Emotions

Where The Wilderness Evolves

Chrono-Particle Processor

Artist Statement
For my work I’ve created a concept called Fantastic Functionalism. This concept involves creating an alternative reality filled with objects and environments which are imbued with extreme idealism and hope. I look at everyday problems on a emotional, physical and social level and imagine new possibilities and solutions for them. I think of my work as the sketches or plans of a mad and naïve inventor creating fantastical machines, passageways, bus stops, transportation devices and shelter from a playground of transformed shapes and bright colors that stems from the ordinary.

Website

http://www.rtimesr.com

artinbrooklyn.com » Drawing

galleryELL proudly presents inLINE — a new online group exhibition about line

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