Rebecca Litt

Maybe This Will Stop The Tide,   18” x 20”,   oil on linen,  2010
Relative Safety, 18” x 20”,   oil on linen,  2010
They Stood Their Ground, 42″ x 60″,   oil on canvas,  2010
Warehouse Waiting Game, 48″ x 60″, oil on canvas,  2010
No Swimming, 42″ x 48″, oil on canvas, 2010

Artist’s Statement
The people in my paintings are unsettled.  They perch on rooftops, power lines, and fire escapes, inhabiting dreamlike, imaginary cities. Expectations cloud their vision, and, like people in a magical realist novel, they unquestioningly accept the absurd as normal.

Although I use the visual language of a perceptual painter, I mainly work from memories, filtering experiences and bits of autobiography into invented scenarios that would be unlikely, if not impossible, in the real world.  Maintaining an element of fiction is important to me because I am trying to describe psychological places, where characters’ inner worlds shape the physical space and architecture around them. For me, the illogical situations my characters find themselves in embody the frustration of not being able to see clearly.

I work mainly from my imagination; with the help of mirrors, studies from life, and photographs. I usually start with an improvised drawing, through which the imagery evolves organically and spontaneously. The drawings suggest a loose narrative for the paintings – not a sequential story, but a series of related vignettes about the same or similar characters.

Contact

Lisa Corinne Davis

Pandemic Logistics

Measureable Phantasmagoria

Itemized Pandemonium

Analytical Anarchy

Quizzical Framework

Artist Statement
Stemming from my own experience as an African American woman of mixed heritage, my work has been an exploration of the divisions and relationships between contemporary ethnic groups. Signs, representations, and abstractions reveal themselves in implied geography, cartoonish shapes, exoskeletal forms, spores, cancer cells, flora, fauna, and so on. Size, shape, and color function to shift and ultimately disrupt the viewer’s perceived ability to conclude that a form is fixed and nameable as perhaps an insect larvae, a piece of candy, an environmental contamination, or some other recognizable object. The impulse to identify and label the forms, and to force a system into the visual disorder in order to create a tidy, decisive, pictorial sense, becomes impossible as the viewer gives in to the realization that his or her decision making is a shifting, contingent interpretation of the visual information presented. Ultimately, these paintings reveal the extent to which our labels and fictions create an artificial simplicity, which guards a more complex and meaningful truth.

Website
http://lisacorinnedavis.com/

Francisco Lopez

Artist’s Statement
Film, obsession and beauty
The focus of my work is in the chance union of forms, symbols, images and colors. It is through cosmetics, in the sense of making up the world in an almost shaman-like manner, that my work plays with a pre-established language of beauty pervasive in popular culture and attempts to establish a complicated link to a mythological world. My work is about obsession and beauty.

Bio/Resume
Born in Florida, and raised in Caracas, Venezuela, Francisco López has been based in New York since 2001. He graduated from the School of the Museum of Fine Arts Boston in 1999. His work has been exhibited at the Boston ICA, Trieste Film Festival in Italy, Sala Mendoza in Caracas, and Transhudson Gallery and Momenta Gallery in New York. In 2004 he showed a video installation as part of the Young Architects Program at PS1 MOMA in New York and his video “Telepathic Numbness” was exhibited at the British Council Electric Earth Show in Caracas, Venezuela. He has lectured at the California Institute of the Arts and Fashion Institute of Technology in 2009.

Website
http://www.mogollon-ny.com/

Jake Messing

Revolutions

Divine Madman

Work Horse

Rude Awakening

Listen Up

Silence

Artist Bio
Jake Messing was born in Northern California in 1982. He graduated with a BFA in Illustration from Parsons School of Design in May 2006. Messing works in a wide variety of media, ranging from silkscreen to pen and ink to paint and collage. His work has been shown in galleries and art fairs across the US, Canada and Europe. He has been invited to lecture at numerous prestigious universities and design studios. Messing recently returned from a two-month residency at CAMAC Center D’Art in France preparing work for his most recent solo show. He presently lives and works in Brooklyn, New York.

Website
www.jakemessing.com

Brooklyn Blogfest

The Fifth Annual Brooklyn Blogfest was held last night at the Brooklyn Lyceum.  Blogfest is a gathering of local bloggers, and like any family there is plenty of squabbling and bickering. It’s a group of people with diverse interests and outspoken opinions. Overall, I’d have to say that the event was a huge success. It was great meeting new people and seeing old friends. There were some old favorites in the program like the video portion and the photo slideshow. My favorite new addition was the actors interpretive readings of blog entries.

Every year is an evolutionary step in the Blogfest. Full disclosure, I volunteered to help plan the Blogs of a Feather portion of the evening. While there are things that could have gone better, overall, I was happy with the results. Apparently the sponsorship of Absolut Vodka was upsetting to some. While I realize that people will have differing opinions it’s disappointing to see personal, vicious, and spectacularly uninformed attacks on people’s integrity. It’s easy to complain, it’s much more difficult to put in the hard work to stage an event for five consecutive years with a volunteer staff and no significant financial backing.

All that said, I believe the Blogfest is a worthwhile and unique event. It’s a chance for people to meet, compare notes, and voice their opinions in a forum that is all too rare in our society. I look forward to next year’s event and the next step in the continuing evolution of the Brooklyn Blogfest.

Wayne Adams


1) Not yet titled, 2010 32″ x 24″ acrylic
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2) “Free as Air and Water” 2010 32″ x 24″ acrylic
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3) “Prayer Painting 1″ 2010 60″ x 48″ acrylic
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4) Not yet titled, 2010 32″ x 24″ acrylic
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5) “An Unceasing Revelation of Divine Light” 2009 32″ x 24″ Aluminum Foil, wood stretcher
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Artist Statement
I have been interested for a number of years in how painting can address deeply personal notions through abstraction as well as representational imagery.

Aluminum foil has been a recurring subject in my work for more than ten years. I am interested in the paradoxical quality of aluminum foil – it is common and cheap with the allure of preciousness and beauty – and I am fascinated by the fact that people, like foil, are an ever-changing reflection of their environments.

Contact Information:
email:  wayne [at] waynestead [dot] com
website:  www.wayneadamsstudio.com
phone: 917.403.1619

Lots of Art in Brooklyn this Weekend!

http://atlanticavenueartwalk.com/home/

http://bos2010.artsinbushwick.org/

http://www.brooklynfilmfestival.org/

And next Tuesday….

http://brooklynblogfest.com/