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Daniel Abraham

February 6th, 2010 · No Comments

erasure

Erasure

metalonmetal

Metal on Metal

vanishing

Vanishing

Artist Statement

This is about the intersection of man-made environment and nature: nature reclaiming the space appropriated by man.

This is not abstract art. This is nature photography / Close-ups from the urban environment.

The art of small things – things you have to get close to – bend or kneel down to observe, because small things require extra effort from the viewer.

Time: Take the time to look around. Beauty is hiding everywhere.

Time: All things must pass / slow decay from the elements.

(Re)discovering the psychedelic nature of reality. Notice the tiny, insignificant details that are part of the daily environment.

Discover the tiny universes hiding in plain sight everywhere – tune into the noise your mind has learned to cancel out in order to become more efficient.

“What is it?” is not the question – what matters is what the viewer projects.

Website
http://danielabrahamphoto.com/

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Malin Abrahamsson

January 30th, 2010 · 1 Comment

malin-1
“De/Con/Struct”
2009
Mixed media on canvas
24″ x 36″

malin-30
“Pile of Homes”
2009
Mixed media
4′ x 5′ x 4′

malin-21
“The New”
2008
Mixed media on canvas
36″ x 48″

Artist Statement
What appears simple just demands a different kind of patience than what is scraggly and complex.

Website
http://malinabrahamsson.com

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Peter J. Ketchum

January 23rd, 2010 · No Comments

New-Age-BlondieNew Age Blondie
Painting
30″H x 30″W


Muffin-Trespassing-in-the-Garden-of-Ideal-BeautyMuffin Trespassing in the Garden of Ideal Beauty
Acrylic on canvas,Photo Dyes,found photo
40″H x 36″W

My-First-Grade-Coloring-BookMy First Grade Coloring Book
Large hand-colored print
24″H x 24″W


Artist Statement
Emerging, Mid career & Near-Death

The title reflects the rigid categories set by the art establishment which refers to emerging, middle and mature stage artists . Like fruit fly larvae I guess. When one is really really old in this culture –like 68– the last stage of artistic development must be Near-death. So this latest work reflects ithe near-death stage of my career.

Critics have labeled my work Retropop, Grandpop and Folkpop Art. Whatever, as the kids say. The work is derived from actual images and words found in printed ephemera — snapshots, ads, postcards, comics, coloring books etc. from 1867 -1950’s. Every word in the mixed-media work appeared in print somewhere. I invented none of it.

I am interested in subjects ranging from the origin and perpetuation of stereotypes to the death of civility. My work looks at the impermanence of individuals and the long afterlife of their prejudices and foibles.

Website
http://www.peterjketchum.com/

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Afton Gayle

January 18th, 2010 · 2 Comments

brooklynprints01subway station

brooklynprints02donut shop, 7th ave (Park Slope)

brooklynprints03
Pavilion movie house (Park Slope)

brooklynprints04uninterrupted brownstones (Prospect Park SW)

brooklynprints05electric rocking horse (Prospect Park W)

Artist Statement
Afton Gayle is a self-taught photographer who clings to film the same
way some writers cling to typewriters: he strongly believes in the
power of the medium and its ability to shape the subject matter he is
shooting. He is a primary contributor at Brooklyn Prints, which is the
sole distributor of his work.

Website
http://brooklynprints.com/

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Haiti Matters to Brooklyn! An impromptu emergency fundraiser

January 15th, 2010 · No Comments

When: Sunday, January 17th, Noon til 9pm

Where: CastleBraid 114 Troutman Street (between Central and Evergreen) Bushwick, Brooklyn, NY J/M/Z to Myrtle-Bwy or L to Morgan Ave.

$10 min. suggested donation at the door

RSVP: http://www.castlebraid.com/haiti

50,000 feared dead 3,000,000 injured or homeless and the ground’s still moving. COME OUT FOR THE CAUSE! Dancing, Drinks, Donations ALL PROCEEDS from the event go to the EMERGENCY RELIEF EFFORTS OF THE RED CROSS

***All ages! (21+ to drink) ENTRY INCLUDES: ***Happiness that you’re HELPING! ***Brooklyn Brewery OPEN BAR! ***Free RAFFLE TICKET! (***more can be purchased for more chances to win while donating to the RED CROSS for HAITI) ***

Performances by: Jaleel Bunton of TV on the Radio Yellowbirds (myspace/yellowbirds) Aman Ellis (soundcloud.com/amanellis) VulpesVulpes (www.sonicbids.com/vulpesvulpes) Green Street Records (greenstreetrecords.blogspot.com) Photon Dynamo & the Shiny Pieces (myspace.com/photondynamo) Ellis Ashbrook (Ellisashbrook.com) My Cousin the Emperor (mycousintheemperor.com) and many more… stay posted! ***Short Film Premieres: Jason and Helena Madera, “The Little Birth that Could” Andrew Raab and Co., “The George Series” ***

2 TIER RAFFLE…. LEVEL 1: $1 CASH tickets will be sold to win Level 1 prizes LEVEL 2: $4.99 “TEXT TO ENTER” donations for Level 2 prizes YOU CHOOSE what you try to win! ALL WINNERS ANNOUNCED & WILL RECEIVE PRIZES @ the event!!! UP FOR GRABS: -8 hours of free engineered recording studio time from Castle Braid (www.castlebraid.com) -Book Package from Mark Batty Publisher (www.markbattypublisher.com) -A cut and color at L’atelier de Laurie (www.latelierdelaurie.com) -Multitude gear & skate deck (www.multitudenyc.com) -Pleasure Chest gift card (www.thepleasurechest.com) -Work generously donated by Artists and MORE! (check back for updates!)***Flipbooth – Get a personalized photo flip book made by Michael Sherriff

$10 min. suggested donation at the door Even if you can’t make it, you can help! Text HAITI to 90999 to make a donation to the Red Cross!

http://www.castlebraid.com/haiti

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Nicholas Battis

January 9th, 2010 · 1 Comment

battis_01Lurgee36x60

Lurgee, oil on canvas, 36 x 60 inches, 2007

battis_02PersistenceToo

The Persistence of Painting Too, oil on wood, 40 x 48 inches, 2005

battis_03Redgoldgreen1

Red Gold Green, oil on canvas, 30 x 48 inches, 2006

battis_04Redglo38x48

Redglo, oil on wood, 38 x 48 inches, 2007

battis_05June24x36

June, oil on wood, 24 x 36 inches, 2007

Artist Statement
I continue in an abstract painting tradition by creating a fluid dreamscape of light and depth with iridescent pigments on a dark background. By mixing powdered pigments with diluted painting medium and by shaping the pigments with compressed air, I am able to transfer an affinity for the spontaneity of watercolor to rigid surfaces.

Often reminiscent of underwater scenes, my paintings are constructed with a simple but effective compositional architecture of overlapping forms, and positive and negative space, combined to produce a dimensional effect. Paintings are not planned in advance; rather they are worked out on the canvas where each additional layer of forms is a response to the last. I work with transparent colors and shapes that include a circular window in order to preserve the “history” of this process.

These glowing paintings and their fiery bursts of color are a salute to painting, and to the perseverance of myself and other painter colleagues who continue in this traditional medium in an art world environment more attune to technology, media and pop-culture.

Website
http://www.nicholasbattis.com

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